Minggu, 01 Desember 2019

Watch TOM ARAYA Bid Emotional Goodbye To Fans At Last-Ever SLAYER Concert - BLABBERMOUTH.NET

Watch TOM ARAYA Bid Emotional Goodbye To Fans At Last-Ever SLAYER Concert

Thousands of fans of SLAYER fans witnessed the band's last-ever concert at The Forum in Inglewood, California on Saturday night (November 30) during the second of two last tour dates dubbed "The Final Campaign".

At the conclusion of SLAYER's set, bassist/vocalist Tom Araya addressed the crowd, thanking the group's fans for supporting him and his bandmates for nearly four decades.

"Thank you. Thank you very much," he said. "I want to thank you for sharing your time with us. Time is precious. So I thank you for sharing that time with us. Thank you. I'm gonna miss you guys. But the most important thing I want to thank you for being a part of my life. Thank you. Good night. You guys be safe."

The setlist for the show was as follows:

01. South Of Heaven
02. Repentless
03. Postmortem
04. World Painted Blood
05. Hate Worldwide
06. War Ensemble
07. Stain Of Mind
08. Disciple
09. When The Stillness Comes
10. Born Of Fire
11. Payback
12. Seasons In The Abyss
13. Jesus Saves
14. Chemical Warfare
15. Hell Awaits
16. Dead Skin Mask
17. Show No Mercy
18. Raining Blood
19. Mandatory Suicide
20. Angel Of Death

SLAYER's final world tour began on May 10, 2018 with the band's intention to play as many places as possible, to make it easy for the fans to see one last SLAYER show and say goodbye. By the time the 18-month trek wrapped at the Forum, the band had completed seven tour legs plus a series of one-off major summer festivals, performing more than 140 shows in 30 countries and 40 U.S. states.

SLAYER's final world tour has been a wild ride. Three bus drivers, four truck drivers, and a crew of 32 have traveled all over the world to set the stage for this farewell. At most shows, SLAYER's pyro expert set off 160 pounds of propane and 10 liters of 99% isopropyl alcohol, prompting the Phoenix New Times reviewer to comment on the "eyebrow-singeing pyrotechnics that could be felt even 10 rows behind the pit." In Toronto, one diehard fan was ejected from the concert before SLAYER took the stage, so jumped into Lake Ontario (that surrounds the Budweiser Arena) and swam back to the venue. The Tampa Bay Times' Jay Cridlin wrote, "Beginning with the throttling opener 'Repentless', SLAYER tore through their set like a flaming cigarette boat across the river Styx, charring up a vicious circle pit by the stage," and Detroit's Gary Graff noted in his Oakland Press review the "10,000 headbangers who skipped the 'Game Of Thrones' finale to pay homage to the pioneering quartet." "The sheer physicality of their show was something to behold and was yet another indication that while the band may be calling it a career, they are going out on top, playing at their absolute best," wrote Andy Lindquist for the SF Sonic.

Araya talked about his possible retirement in a 2016 interview with Loudwire. He said: "At 35 years, it's time to collect my pension. [Laughs] This is a career move." He continued: "I'm grateful that we've been around for 35 years; that's a really long time. So, yeah, to me, it is. Because when we started off, everything was great, because you're young and invincible. And then there came a time where I became a family man, and I had a tough time flying back and forth. And now, at this stage, at the level we're at now, I can do that; I can fly home when I want to, on days off, and spend some time with my family, which is something I wasn't able to do when [my kids] were growing up. Now they're both older and mature. So now I take advantage of that." Araya added: "Yeah, it just gets harder and harder to come back out on the road. 35 years is a long time."

Tom also revealed another reason for his diminished enjoyment of the touring life. He said: "There's things that have gone on in my life that have made me change how I play as a bass player. I had neck surgery, so I can't headbang anymore. And that was a big part of what I enjoyed doing what I do — singing and headbanging. I liked knowing that I was one of the fucking badass headbangers. That played a big part. Now I just groove with the music, which is cool, because I'm grooving with the music and the feel of the songs, so that's changed a little for me."

SLAYER has been touring in support of its latest album, "Repentless", which was released in September 2015 via Nuclear Blast. That effort marked the band's first release since the death of SLAYER's co-founding guitarist Jeff Hanneman.

Hanneman contracted necrotizing fasciitis, also known as flesh-eating disease, in January 2011 from a spider bite in his backyard. The infection ravaged the flesh and tissues of Hanneman's arm, leading to numerous surgeries, skin grafts and intense periods of rehab that forced him into semi-retirement and left him near death at several points.

Hanneman eventually died in May 2013 from alcohol-related cirrhosis of the liver. He is credited for writing many of SLAYER's classic songs, including "Angel Of Death" and "South Of Heaven".

Original SLAYER drummer Dave Lombardo was effectively fired from the band after sitting out the group's Australian tour in February/March 2013 due to a contract dispute with the other members of SLAYER. He has since been replaced by Paul Bostaph, who was previously SLAYER's drummer from 1992 until 2001 and recorded four albums with the band.

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2019-12-01 14:42:04Z
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Comedian asks fans to sign $1 million NDA before comedy show - AOL

Whatever you do, never tweet at a Pete Davidson comedy show. The “Saturday Night Live” cast member has recently been dolling out non-disclosure agreements before each of his recent comedy shows.

Most recently fans attending Davidson’s standup at the Sydney Goldstein Theater were asked to sign a lengthy contract that forbid them from tweeting or instagramming any opinions about the performance.

One attendee Stacy Young, originally discovered by Consequence of Sound, posted the alleged NDA on her facebook which stated: “the individual shall not give any interviews, offer any opinions or critiques, or otherwise participate by any means or in any form whatsoever (including by not limited to blogs, Twitter, Facebook, YouTube, Instagram, or any other social networking or other websites whether no existing or hereafter created.”

The fine for breaking said NDA was a whopping one million bucks, “In the event of breach of this agreement, individual shall pay company, upon demand, as liquidated damages, the sum of one million dollars, plus any out of pocket expense.”

Related: Pete Davidson hits Sundance 2019

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Pete Davidson hits Sundance 2019

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PARK CITY, UT - JANUARY 28: Pete Davidson attends The Vulture Spot during Sundance Film Festival on January 28, 2019 in Park City, Utah. (Photo by Daniel Boczarski/Getty Images for New York Magazine)

PARK CITY, UT - JANUARY 28: Pete Davidson and Machine Gun Kelly are seen at Park City on January 28, 2019 in Park City, Utah. (Photo by Bryan Steffy/GC Images)

PARK CITY, UT - JANUARY 28: Pete Davidson is seen at Park City on January 28, 2019 in Park City, Utah. (Photo by Bryan Steffy/GC Images)

PARK CITY, UT - JANUARY 28: Actor Pete Davidson (L) and rapper Machine Gun Kelly attend the 2019 Sundance Film Festival on January 28, 2019 in Park City, Utah. (Photo by Ray Tamarra/GC Images)

PARK CITY, UT - JANUARY 28: Actor Pete Davidson attends the 2019 Sundance Film Festival on January 28, 2019 in Park City, Utah. (Photo by Ray Tamarra/GC Images)

PARK CITY, UTAH - JANUARY 28: Pete Davidson at the “Big Time Adolescence” afterparty at DIRECTV Lodge presented by AT&T at Sundance Film Festival 2019 on January 28, 2019 in Park City, Utah. (Photo by Vivien Killilea/Getty Images for AT&T and DIRECTV)

PARK CITY, UT - JANUARY 28: (L-R) Director Jason Orley,and actors Thomas Barbusca, Pete Davidson, Aiden Arthur, Colson Baker and Sydney Sweeney attend the 'Big Time Adolescence' Premiere during the 2019 Sundance Film Festival at Eccles Center Theatre on January 28, 2019 in Park City, Utah. (Photo by Dia Dipasupil/Getty Images)

PARK CITY, UTAH - JANUARY 28: Thomas Ian Nicholas (L) and Pete Davidson at the “Big Time Adolescence” afterparty at DIRECTV Lodge presented by AT&T at Sundance Film Festival 2019 on January 28, 2019 in Park City, Utah. (Photo by Vivien Killilea/Getty Images for AT&T and DIRECTV)

PARK CITY, UT - JANUARY 28: Actors Griffin Gluck, Pete Davidson and Colson Baker attend the 'Big Time Adolescence' Premiere during the 2019 Sundance Film Festival at Eccles Center Theatre on January 28, 2019 in Park City, Utah. (Photo by George Pimentel/Getty Images)

PARK CITY, UT - JANUARY 28: Actor and Executive producer Pete Davidson attends the 'Big Time Adolescence' Premiere during the 2019 Sundance Film Festival at Eccles Center Theatre on January 28, 2019 in Park City, Utah. (Photo by George Pimentel/Getty Images)

PARK CITY, UT - JANUARY 28: Actors Colson Baker (L) and Pete Davidson attend the 'Big Time Adolescence' Premiere during the 2019 Sundance Film Festival at Eccles Center Theatre on January 28, 2019 in Park City, Utah. (Photo by George Pimentel/Getty Images)

PARK CITY, UT - JANUARY 28: Actors Pete Davidson (L) and Colson Baker attend the 'Big Time Adolescence' Premiere during the 2019 Sundance Film Festival at Eccles Center Theatre on January 28, 2019 in Park City, Utah. (Photo by George Pimentel/Getty Images)

PARK CITY, UT - JANUARY 28: Actor and Executive producer Pete Davidson attends the 'Big Time Adolescence' Premiere during the 2019 Sundance Film Festival at Eccles Center Theatre on January 28, 2019 in Park City, Utah. (Photo by Dia Dipasupil/Getty Images)

PARK CITY, UTAH - JANUARY 28: Pete Davidson attends the 2019 Sundance Film Festival on January 28, 2019 in Park City, Utah. (Photo by David Becker/GC Images)

PARK CITY, UT - JANUARY 27: Pete Davidson is seen at Salt Lake City International Airport on January 27, 2019 in Park City, Utah. (Photo by gotpap/Bauer-Griffin/GC Images)

PARK CITY, UT - JANUARY 28: Pete Davidson attends The Vulture Spot during Sundance Film Festival on January 28, 2019 in Park City, Utah. (Photo by Daniel Boczarski/Getty Images for New York Magazine)

PARK CITY, UT - JANUARY 27: Pete Davidson is seen at Salt Lake City International Airport on January 27, 2019 in Park City, Utah. (Photo by gotpap/Bauer-Griffin/GC Images)

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Sources confirmed to Variety that Davidson’s NDA would again be handed out on Saturday prior to his show at Chicago’s Vic Theatre.

A spokesperson for the “SNL” star could not be reached for comment.

Cell phone bans are nothing new in world of modern day live performances. In May, Louis C.K. banned the use of phones at his comedy shows while Dave Chappelle and Madonna have also prohibited fans from sharing live materials without written consent.

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2019-12-01 13:42:22Z
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Mama June Pulls Out Cash At ATM, No Sign of Family - TMZ

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2019-12-01 09:00:00Z
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Chrissy Teigen claps back at a troll who tried to shame her for employing 'chefs and nannies' - Daily Mail

Chrissy Teigen claps back at a troll who tried to shame her for employing 'chefs and nannies'

She often puts her family life in the public eye on social media.

But Chrissy Teigen didn't hold back after a troll tried to shame her for having hired domestic workers.

The 34-year-old model shared a photo on Friday featuring her chef, nanny and assistant, along with her two children, Luna, three, and Miles, one.

Standing up for herself: Chrissy Teigen, 34, didn't hold back after a troll tried to shame her for having hired domestic workers on Friday; shown November 9

Standing up for herself: Chrissy Teigen, 34, didn't hold back after a troll tried to shame her for having hired domestic workers on Friday; shown November 9

The photo featured the group gathered together under a canopy with picturesque hills in the distance. 

'Grateful for people that make our dysfunctional house functional ❤️,' she gushed in the caption.

But one commenter was offended by her hiring domestic staff.

'AKA "thankful for my household staff of chefs and nannies,"' they replied. 

The 34-year-old model shared a photo on Friday featuring her nanny, assistant and chef, along with her children, Luna, three, and Miles, one

The 34-year-old model shared a photo on Friday featuring her nanny, assistant and chef, along with her children, Luna, three, and Miles, one

Chrissy seemed unfazed as she responded: 'Literally just said that but you sure got me.'

The Sports Illustrated Swimsuit Issue star has been open before about how important having professional help has been to raising her family.

In September, she was asked on Twitter how she worked on her comedy reality show Bring The Funny while still raising two young children.

'@chrissyteigen Can you please talk about working while pregnant, shortly post-pregnancy and away from your babies?' asked writer and radio producer Rebecca Caroll in September. 

Rude response: 'Grateful for people that make our dysfunctional house functional ❤️,' she gushed in the caption, before a troll replied, 'AKA "thankful for my household staff of chefs and nannies"'; shown November 9 with John Legend

Rude response: 'Grateful for people that make our dysfunctional house functional ❤️,' she gushed in the caption, before a troll replied, 'AKA "thankful for my household staff of chefs and nannies"'; shown November 9 with John Legend

Holding her own: Chrissy seemed unfazed as she responded: 'Literally just said that but you sure got me.' Earlier this week she shared a photo of her friends in pajamas decked out with her husband John Legend's Sexiest Man Alive cover

Holding her own: Chrissy seemed unfazed as she responded: 'Literally just said that but you sure got me.' Earlier this week she shared a photo of her friends in pajamas decked out with her husband John Legend's Sexiest Man Alive cover

'I'm watching you on #BringTheFunny and you're so pro and engaged and focused, and I know your babies were/are small and wanting of you.'

The Lip Sync Battle host was open about what it took to have a high-profile career.

'I girl I have HELP and a half. That’s it,' she tweeted. 'There is no way I could have done it without it. I’m so lucky to have it and I don’t know how anyone else does it. I have so much respect for all of you. (also our amazing set provided an amazing daycare room).'

Chrissy shared another photo also featuring Bronwyn Reed and chef Paul Barbosa Jr.

She joined them in wearing a pair of custom-made pajamas adorned with her husband John Legend's Sexiest Man Alive cover from People magazine.

Can't do it alone: Chrissy has been open about needing help raising her family in order to maintain a busy career

Can't do it alone: Chrissy has been open about needing help raising her family in order to maintain a busy career

In October, John and Chrissy revealed that she often worries about how much she features her children in her social media posts while speaking with Vanity Fair.

'She’s already thinking about what a hater might say,' he revealed.

'I know a lot of people who make the conscious decision to blur out their kids' faces,' Chrissy added. 'I worry, "What must they think of me?" They must think I’m insane.'

The social media star speculated her own reserved upbringing was the reason she loved to share online.

'I think I’m such an open person now because everyone in my family has always been so hush-hush,' she said. 'I love attention and affection. I want to be direct with everyone.'

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2019-12-01 05:39:00Z
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Sabtu, 30 November 2019

Kid Rock explains his problem with Oprah after foul-mouthed rant - Page Six

Kid Rock has given the public a bit of insight into his recent tirade against Oprah Winfrey, claiming a potential appearance on her former talk show soured his view of the media mogul.

“My people tried to get me to do The Oprah Winfrey show years ago and her people wanted me to write down 5 reasons why I loved her and her show,” Rock, 48, tweeted. “I said f—k that and her. End of story.”

Rock was escorted off stage in Nashville after going on a lewd rant against Winfrey, 68, at his own Honky Tonk Bar.

“Oprah Winfrey is like, ‘Hey, I just want women to believe in this s–t,’” he said in the video. “F–k her, she can suck d–k sideways.”

The “All Summer Long” musician went on to say that he knows many will label him “racist” for attacking Winfrey, to which he claims he would respond, “OK fine, f–k off!”

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2019-11-30 17:03:00Z
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Box Office: ‘Frozen 2’ Has Finally Become A Breakout Sequel - Forbes

Frozen II, starring Kristen Bell, Idina Menzel, Jonathan Groff and Josh Gad, topped the Black Friday box office with a whopping $34.031 million (-18% from Thursday), continuing to show that folks were indeed very excited for the animated sequel but (comparatively speaking) were willing to see it with the kids “at some point” over what was essentially a ten-day opening holiday frame. We saw that with Jumanji: Welcome to the Jungle (a $7.5 million opening day and a $195 million 14-day holiday sprint) in December of 2017, and with Star Wars Episode One: The Phantom Menace in May of 1999 (a $105 million Wed-Sun debut and then a $66 million Fri-Mon Memorial Day weekend frame), and we may see something similar with Cats and The Rise of Skywalker next month.

The film now earned $236.354 million in North America, soon to best the unadjusted domestic earnings of every non-Pixar Disney toon save for Zootopia ($341 million in 2016), Frozen ($400 million in 2013/2014), The Lion King ($422 million, counting the 2011 reissue) and The Lion King ($543 million in 2019). Presuming the 36.3/63.7 domestic/overseas split from last weekend (when it opened with $130 million domestic and $228 million overseas) has held, Frozen II has earned around $651 million worldwide. So, yeah, it’ll probably pass $269 million domestic and $740 million worldwide by tonight. With a possible/likely $88.44 million Fri-Sun weekend (-32%) and $128.17 million, besting Catching Fire’s $73 million/$109 million Thanksgiving weekend haul, Frozen II will have around $292 million domestic (and around $800 million worldwide) by tomorrow night.

That will give it the 15th-biggest, sans inflation, ten-day total ever, above Finding Dory ($286 million toward a $486 million cume) and below Beauty and the Beast ($319 million/$504 million) and Incredibles 2 ($349 million/$608 million). As noted yesterday, it’s already Walt Disney Animation’s biggest-grossing theatrical sequel, ahead of Ralph Breaks the Internet ($529 million in 2018) and, uh, The Jungle Book 2 ($186 million in 2003), Peter Pan 2: Return to Neverland ($115 million in 2002), Fantasia 2000 ($90 million in 2000/2001) and Rescuers Down Under ($27 million). Unlike Pixar, Illumination or DreamWorks, Walt Disney Animation almost never makes theatrical sequels to their theatrical toons. Frozen II is a very rare thing by virtue of its existence, which only made it more unique within the marketplace.

They have, starting with The Return of Jafar in 1994, made plenty of direct-to-VHS or direct-to-DVD sequels to their animated theatricals. Both Jungle Book 2 and Return to Neverland originally began life as direct-to-DVD titles. For that matter, so too did, once upon a time, Pixar’s Toy Story 2 which was initially a home video release before they overhauled the film and made something worthy of wide theatrical release. You could say that decision was a game changer but, let’s be honest, it’s not like DreamWorks wasn’t going to make Shrek 2 after Shrek earned $484 million in the summer of 2001. And, yes, Frozen is one of the few recent Walt Disney Animation flicks that was huge/popular enough that it merited a theatrical sequel.

Since Frozen was not created as a franchise-starter, it has an advantage over many of the disappointing sequels we’ve seen of late. It only exists because of consumer demand, not because the studio wants to milk a once-successful IP or because certain filmmakers want to roll the dice again with their favorite franchise. The core appeal of Frozen was the character chemistry of Kristen Bell’s Anna and Idina Menzel’s Elsa, and the buzzy songs, so the film merely had to deliver that to please the fans and the crowds. While, I may take issues with the story/plot, the sequel works on a character-driven/emotional level, which is arguably more important if you must triage. In this sense, Frozen II = The Force Awakens (which I just rewatched two nights ago).

After Wonder Woman 1984 and No Time to Die vacated for early 2020, Disney moved Frozen II to November 22. That was the launching pad for three (out of eight) Harry Potter films (Chamber of Secrets opened two weeks before Thanksgiving), all three Hunger Games sequels, four out of five Twilight movies and (thus far) the first two Fantastic Beasts flicks. We’d usually have the big fantasy launching on the pre-Thanksgiving frame and then a big (usually Disney) toon debuting over Thanksgiving. Frozen II became the big YA fantasy/adventure blockbuster AND the seasonal animated biggie of the moment, essentially canceling out its own competition. That Terminator: Dark Fate and Charlie’s Angels bombed also made Frozen II the only game in town for big-scale, female-led action/fantasy blockbuster thrills.

Frozen II is this year’s Hunger Games/Twilight/Harry Potter, the family-friendly Grinch (from 2000) and the court-appointed Disney toon (Moana, Coco, etc.) all wrapped up into one appealing package. It’s not unlike how Joker ended up playing the role in October/November of the big horror movie, the big adult-skewing prestige flick and the big franchise/comic book movie all in one. Canny scheduling and good fortune left Frozen II as the event film of the movie for nearly all demographics. So, it took a week, but I would argue that Frozen II is indeed a “breakout sequel,” with a ten-day wide release cume far surpassing the first Frozen’s $134 million “end of second weekend of wide release (Frozen opened at the El Capitan one weekend before it went wide) total.

Frozen’s second wide release weekend was in early December, but that was part of Disney’s diabolical plan. And even if it drops dead after Sunday, think The Twilight Saga: Breaking Dawn Part I ($281 million total after a $220 million ten-day cume), well, we’re still talking about a toon that’ll earn well over $373 million domestic and (unless it crashes even harder overseas) over $1 billion worldwide. If the Twilight Saga sequels are the doom-n-gloom scenario, then The Grinch (1.87x its $137 million ten-day cume for a $260 million total) is the pie-in-the-sky scenario, one that would give Frozen II a $554 million domestic finish. Even post-Thanksgiving legs between Justice League (1.33x) and the first Twilight (1.6x) still gets Frozen II between $388 million and $469 million domestic.

Frozen II snagged the third-biggest animated opening of all time and will snag the biggest non-opening weekend ever for a toon, ahead of Incredibles 2’s $80 million second-weekend gross (from a $183 million debut). Frozen has the record for the biggest Thanksgiving debut ($67 million Fri-Sun/$93 million Wed-Sun), but now, as of tomorrow, Frozen II will best Catching Fire’s second weekend gross to snag the biggest Thanksgiving Fri-Sun and Wed-Sun gross ever. Even if it drops dead after Thanksgiving, and it might not since it’s the only “big” game in town until Jumanji: The Next Level on December 13, it’ll near $400 million domestic and probably cross $1 billion worldwide. Frozen II is a breakout sequel, even if it (to paraphrase the Dixie Chicks) took the long way around.

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2019-11-30 16:00:17Z
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Ellen Pompeo Says What Many People Are Thinking About Gabrielle Union's Exit From 'America's Got Talent' - Showbiz Cheat Sheet

The news of Gabrielle Union’s exit from America’s Got Talent was shocking on its own. But no one expected the reports that followed.

While sources initially made it seem as if her departure was merely another panel rotation, insiders have since claimed that Union was ousted from the show after speaking out about the work environment at AGT.

The news prompted a barrage of emotional reactions online, including one from Grey’s Anatomy star Ellen Pompeo. In a series of tweets, Pompeo said what many people have been thinking about all of this.

(L-R) Ellen Pompeo and Gabrielle Union | Jon Kopaloff/Getty Images North America; Jon Kopaloff/FilmMagic

Inside Gabrielle Union’s departure from ‘America’s Got Talent’

On Nov. 22, news broke that Union, as well as Julianne Hough, would not return for the show’s 15th season. Both women had only been on the show for the 14th season, which ran from May to September 2019.

A day later, on Nov. 23, blog Love B Scott shared a report that offered more insight into Union’s exit. Sources told the website that Union’s departure came after she spoke out about “problematic” situations on the show.

Variety later reported that one of those situations involved a racial joke that Jay Leno allegedly made while guest-hosting the show. The remarks were ultimately edited out of the episode, which aired on Aug. 6.

Sources also told Variety that Union and Hough received “excessive notes” about their physical appearance during their time on the show. Executives allegedly told Union on multiple occasions that her hairstyles were “too black” for viewers.

In response to the report, NBC shared a statement that read:

“‘America’s Got Talent’ has a long history of inclusivity and diversity in both our talent and the acts championed by the show. The judging and host line-up has been regularly refreshed over the years and that is one of the reasons for AGT’s enduring popularity. NBC and the producers take any issues on set seriously.”

Twitter reacts to Gabrielle Union’s exit from ‘America’s Got Talent’

The news has sparked many conversations online about race, power, and influence. Pompeo is one of many who took to Twitter to react to Union’s exit, writing in a series of messages on Nov. 28:

“It’s unfortunate that @nbc the same network that protected disgusting men like Matt Lauer and punished women for speaking out or not putting up with it…has not changed their practices or culture. I support @itsgabrielleu commitment to speaking up to injustice. It takes courage” Pompeo started, referencing former Today show anchor Matt Lauer’s firing over sexual misconduct allegations.

In a follow-up tweet, Pompeo wrote that her message was specifically targeted at “white girls,” whom she asked to “stand with your sisters on the front lines.”

“This is a teaching moment..It’s important..white girls I’m talking to you..whether you truly understand what racial injustice is or not..that you stand with your sisters on the front lines. Don’t cut side deals & don’t not get involved because it isn’t your issue..because it is,” she continued.

“Workplace cultures will continue to be toxic until there is unity and solidarity among all women,” Pompeo added. “If you go for self in these moments you undermine the work we are out here trying to do. Obviously this network feels like they can operate like this and it’s okay.”

Gabrielle Union will be OK

Union has seen the outpouring of love and made it clear that she’ll bounce back from this.

“To all the friends and family that have my back and all the friends and family I’ve never met who show love and support when everyone is looking and when no one is looking…All praise, gratitude, and thankfulness,” she captioned a Nov. 28 photo of her husband, Dwyane Wade, and their blended family.

Though her days on AGT have ended, Union still has her acting career, a beautiful family, and thousands of supporters who have her back.

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https://news.google.com/__i/rss/rd/articles/CBMikwFodHRwczovL3d3dy5jaGVhdHNoZWV0LmNvbS9lbnRlcnRhaW5tZW50L2VsbGVuLXBvbXBlby1zYXlzLXdoYXQtbWFueS1wZW9wbGUtYXJlLXRoaW5raW5nLWFib3V0LWdhYnJpZWxsZS11bmlvbnMtZXhpdC1mcm9tLWFtZXJpY2FzLWdvdC10YWxlbnQuaHRtbC_SAQA?oc=5

2019-11-30 16:29:24Z
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