Selasa, 24 September 2019

Meghan and Harry head to the beach in South Africa - CNN

On Tuesday, Prince Harry and wife, Meghan, are visiting Waves for Change – an innovative charity that takes children out of the violent neighborhoods they live in and teaches them how to surf and, hopefully, how to heal. 

Where they live is just a few miles away, but the contrast couldn’t be starker.

“It is better here because they shoot where we live,” said 12-year-old Chloe, “They shoot, they rape people, they abuse people.”

Waves for Change was started by Tim Conibear, who traveled to South Africa after graduating from university in the UK.

Between fifty and eighty children are brought to the beaches around False Bay for weekly sessions. First, they talk about their experiences in a kind of relaxed group therapy session – then they suit up in wetsuits and hit the waves. 

Simply separating them from their environments so they can be be outside of gang and crime affected areas is important, says Keenan Adonis, a coach for the charity.

“Things like violence fascinates them. Because it's happening at their the next door neighbor's, it's happening in the next road. They stand near the crime scene. They want to see what is happening. They want to know, 'Is that my friend laying there?’” he said.  

Adonis says that the kids like Chloe, who stick with the program, are transformed.

“It helps me because we have manners here, no swearing, no fighting and they care about us here,” Chloe said.

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https://www.cnn.com/africa/live-news/royal-africa-tour-harry-day-two-meghan-harry-gbr-intl/index.html

2019-09-24 11:04:00Z
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Meghan and Harry head to the beach in South Africa - CNN

On Tuesday, Prince Harry and wife, Meghan, are visiting Waves for Change – an innovative charity that takes children out of the violent neighborhoods they live in and teaches them how to surf and, hopefully, how to heal. 

Where they live is just a few miles away, but the contrast couldn’t be starker.

“It is better here because they shoot where we live,” said 12-year-old Chloe, “They shoot, they rape people, they abuse people.”

Waves for Change was started by Tim Conibear, who traveled to South Africa after graduating from university in the UK.

Between fifty and eighty children are brought to the beaches around False Bay for weekly sessions. First, they talk about their experiences in a kind of relaxed group therapy session – then they suit up in wetsuits and hit the waves. 

Simply separating them from their environments so they can be be outside of gang and crime affected areas is important, says Keenan Adonis, a coach for the charity.

“Things like violence fascinates them. Because it's happening at their the next door neighbor's, it's happening in the next road. They stand near the crime scene. They want to see what is happening. They want to know, 'Is that my friend laying there?’” he said.  

Adonis says that the kids like Chloe, who stick with the program, are transformed.

“It helps me because we have manners here, no swearing, no fighting and they care about us here,” Chloe said.

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https://www.cnn.com/africa/live-news/royal-africa-tour-harry-day-two-meghan-harry-gbr-intl/index.html

2019-09-24 10:14:00Z
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Meghan and Harry head to the beach in South Africa - CNN

On Tuesday, Prince Harry and wife, Meghan, are visiting Waves for Change – an innovative charity that takes children out of the violent neighborhoods they live in and teaches them how to surf and, hopefully, how to heal. 

Where they live is just a few miles away, but the contrast couldn’t be starker.

“It is better here because they shoot where we live,” said 12-year-old Chloe, “They shoot, they rape people, they abuse people.”

Waves for Change was started by Tim Conibear, who traveled to South Africa after graduating from university in the UK.

Between fifty and eighty children are brought to the beaches around False Bay for weekly sessions. First, they talk about their experiences in a kind of relaxed group therapy session – then they suit up in wetsuits and hit the waves. 

Simply separating them from their environments so they can be be outside of gang and crime affected areas is important, says Keenan Adonis, a coach for the charity.

“Things like violence fascinates them. Because it's happening at their the next door neighbor's, it's happening in the next road. They stand near the crime scene. They want to see what is happening. They want to know, 'Is that my friend laying there?’” he said.  

Adonis says that the kids like Chloe, who stick with the program, are transformed.

“It helps me because we have manners here, no swearing, no fighting and they care about us here,” Chloe said.

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https://www.cnn.com/africa/live-news/royal-africa-tour-harry-day-two-meghan-harry-gbr-intl/index.html

2019-09-24 09:36:00Z
52780391115654

Meghan and Harry head to the beach in South Africa - CNN

On Tuesday, Prince Harry and wife, Meghan, are visiting Waves for Change – an innovative charity that takes children out of the violent neighborhoods they live in and teaches them how to surf and, hopefully, how to heal. 

Where they live is just a few miles away, but the contrast couldn’t be starker.

“It is better here because they shoot where we live,” said 12-year-old Chloe, “They shoot, they rape people, they abuse people.”

Waves for Change was started by Tim Conibear, who traveled to South Africa after graduating from university in the UK.

Between fifty and eighty children are brought to the beaches around False Bay for weekly sessions. First, they talk about their experiences in a kind of relaxed group therapy session – then they suit up in wetsuits and hit the waves. 

Simply separating them from their environments so they can be be outside of gang and crime affected areas is important, says Keenan Adonis, a coach for the charity.

“Things like violence fascinates them. Because it's happening at their the next door neighbor's, it's happening in the next road. They stand near the crime scene. They want to see what is happening. They want to know, 'Is that my friend laying there?’” he said.  

Adonis says that the kids like Chloe, who stick with the program, are transformed.

“It helps me because we have manners here, no swearing, no fighting and they care about us here,” Chloe said.

Let's block ads! (Why?)


https://www.cnn.com/africa/live-news/royal-africa-tour-harry-day-two-meghan-harry-gbr-intl/index.html

2019-09-24 07:35:00Z
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Sean Spicer Appeals To MAGA Supporters For ‘Dancing With the Stars’ Votes - Deadline

After an underwhelming performance last week on his Dancing With the Stars debut, Sean Spicer has a plan to stay in the competition — a campaign for votes.

The former White House press secretary made the announcement on tonight’s episode of the ABC competition series.

“We’re going to run this like a campaign,” he said. “Bumper stickers, yard signs, whatever we can do to get people to vote for us.”

In case viewers missed the call for support, Spicer put out the word on social media urging fans, followers and MAGA supporters to vote 20 times. “Text SEAN 10 times to 21523 and vote 10 more times on abc.com,” he tweeted Monday, along with the hashtags #MAGA and #KAG.

He has a website too, spicerarnold.com, which touts the slogan: “We’re counting on your votes to win the Mirror Ball!”

Despite his personal appeals, Spicer is facing an uphill battle toward winning DWTS’ coveted trophy. His salsa with champion dancer Lindsay Arnold last week didn’t exactly sizzle, and earned the second-lowest score of the night.

Judge Bruno Tonioli broke the news to Spicer and Arnold that the dance lacked spice, but tried to offer a bit of reassurance, adding: “there were some elements of salsa there.”

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https://deadline.com/2019/09/sean-spicer-appeals-to-maga-supporters-for-dancing-with-the-stars-votes-1202743138/

2019-09-24 04:30:00Z
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'The Voice’ throws shade at ex-coach Adam Levine on Season 17 premiere - Yahoo Entertainment

Season 17 of The Voice premiered Monday, sans original coach Adam Levine for the first time in the series’ eight-year history — and it was a little weird how, aside from one shady comment blurted out by Adam’s former onscreen BFF Blake Shelton, the two-hour episode featured no other acknowledgement of Adam, who left The Voice abruptly (and seemingly acrimoniously) this past May.

“It's not Kelly's fault! She's in Adam's old chair, and it makes her... possessed! You have to go for the jugular if you're in that seat,” Blake snarked after returning coach Kelly Clarkson engaged in some particularly aggressive (read: Levine-like) gameplay. Ooh, snap.

Some context here: Like Blake, Adam had appeared on every Voice season (all 16 of them), without a break, since 2011. But in the past couple years it had become abundantly clear that he was no longer happy sitting in that red chair. (In fact, People reported that Adam wanted to leave The Voice four whole years ago.) Things started to come to a head in Season 15 last year, when Adam threw his contestant DeAndre Nico under the bus on the most bizarre Voice episode ever and diehard viewers subsequently rallied for him to be fired. Then in Season 16, when a new-fangled and ill-advised Cross-Battles round (which has thankfully been scrapped this season) resulted in Team Adam getting almost entirely wiped out before the Live Playoffs even began, a disgruntled Adam reportedly became even more difficult to work with.

A source told Yahoo Entertainment that by the end of the Season 16, “No one behind the scenes want[ed] him to return.” During a performance by the coaches at NBC’s spring Upfronts presentation, Adam was so grouchy and scowl-y that a YouTube clip of the event was quickly taken down; another inside source that witnessed that debacle told Yahoo, “[Adam] sang, but he made it so clear he did not want to be there. It was disgusting. ... He made it impossible not to hate him.”

Well, the feeling was apparently mutual. So now Adam is gone, and it’s like the “Beautiful Goodbye” singer was never even there. And with Adam’s onscreen bromance with Blake over, in Adam’s place/chair for Monday’s premiere was Blake’s showmance partner, girlfriend and returning on/off coach Gwen Stefani. (This season’s fourth coach is reigning champ John Legend.) And it was nothing but good vibes all around. Even with Gwen’s sneaky anti-Blake scheming — hey, all’s fair in love and Voice, right? — the mood felt lighter and brighter.

I can’t say I missed Adam and his bad mojo at all, and I don’t think the coaches did either. (Amusingly, at one point Kelly actually said she missed Jennifer Hudson — who was a Voice coach in Seasons 13 and 15, and a very good one at that — but Kelly never uttered a word about Adam’s more glaring absence.) However, public reaction on Twitter was mixed. Some fans were missing Adam, while others felt him being gone was refreshing. One person tweeted: "I was worried about no Adam on @voicenbc — but we are LOVING this season!"

It's true that — for better or worse — The Voice wasn't quite the same without Adam. But it was still an entertaining premiere with some solid auditions, as seen below. And isn’t the talent what this show is supposed to be about, anyway? Let’s get to it.

Katie Kadan: “Baby I Love You”

Like the coaches, I thought Katie was a man until her dramatic reveal. Her deep, feral, bluesy wail had Kelly making instantly GIF-able dropped-jawed facial expressions, and Gwen even said this Chicago diva sounded like original Voice coach Cee Lo Green! But Kelly’s comparison to Alabama Shakes powerhouse Brittany Howard was spot-on. This woman really lit up the screen with her colorful Betsey Johnson lewks and sparkling personality and massive talent, and while her career got off to a late start (“I was a chubby chick living in a skinny girl’s world,” she said, explaining why she used to be scared to perform publicly), she is absolutely perfect for this show. She may have been the first contestant of the season, but she’s already my favorite.

Who turned? All four coaches — but Kelly was out of the running, thanks to Blake’s merciless use of his Block button.

Result: Team Legend. I think Kelly, who even ran onstage to hug kindred spirit Katie, would have won, but John — who raved about Katie’s rawness, fire, and “rock ‘n’ roll energy,” ad described her as “fountain of excitement” — is also a good match.

Jake Halendevang, 24: “Wish I Knew You”

This AC/DC-obsessed, flaxen-haired lost Hanson brother/baby Keith Urban bought his first Stratocaster at age 11 with money he earned from starting a lemonade stand. Now, that’s the kind of work ethic that will take a kid far on The Voice! However, I was only impressed by Jake’s Jeff Buckley-esque falsetto (which, in another case of mistaken gender identity, the coaches thought was a woman at first); I thought his performance veered into generic bar-band territory once he got his deeper chest voice.

Who turned? Blake, Gwen, John. (Side note: Adam Levine probably would have loved this kid. He was a sucker for every guitar-toting Jonny Lang wannabe that ever auditioned.)

Result: Team Gwen. Jake’s “heart-fluttering” Gwen crush probably helped, but she is the only rocker on the panel. While Blake tried to claim that he’s only coach who’s ever won The Voice with a rock artist, I imagine Pharrell Williams and the Ray LaMontagne-covering Sawyer Fredericks would beg to differ.

Brennan Lassiter, 20: “You Are my Sunshine”

This small-town church girl’s raspy, country-blues tribute to the grandparents who raised her was unexpectedly cool, if slightly try-hard. She had raw potential, and I appreciated that she had a bit of rock edge that belied her sunshiny, girl-next-door image.

Who turned? All four coaches, although it seemed a given that Brennan would go for Blake.

Result: Team Kelly! Maybe when Blake tried to talk Brennan out of going with another coach by bizarrely telling her, “These people know as much about country music as I know about getting a pap smear,” his humor backfired. (That was pretty funny, though.)

Rose Short, 34: “Preach”

This tough-as-nails former corrections officer (what a Sharon Jones-like storyline!) poured her heart and soul into John Legend’s recent socially conscious anthem and had Kelly making her famous stankface. “You could cover any original song and annihilate the original singer,” Kelly told Rose. (Damn, way to burn John! Um, he was sitting right there!)

Who turned? Kelly and Gwen… but, surprisingly, not John.

Result: Team Gwen, which was an even bigger shocker. Apparently Rose has been a fan of Gwen since day one. I wonder if she got The Beacon Street Collection on vinyl?

Will Breman, 25: “Say You’ll Be There”

This Santa Barbara busker, who has Asperger’s and uses music to communicate with people, was the first Season 17 contestant to take a major artistic risk with this “funkified, jazzified” remake of a Spice Girls hit. It’s unclear how great a technical singer he is, and he could easily lapse into shtickiness and gimmickry, but for now I will say he’s definitely unique, creative, and interesting.

Who turned? John, Gwen.

Result: Team Legend. It was pretty obvious that was how this one was going to go after fanboy Will got to sing an “impromptu” duet of “Ordinary People” with John.

Alex Guthrie, 25: “Love and Happiness”

I thought Alex was pretty ho-hum, but he’s friends with Jennifer Hudson, and J.Hud Productions endorses him, so maybe he has potential.

Who turned? Kelly, Gwen.

Result: Team Kelly.

Kate Hammock, 18: “Vienna”

Sadly, Kate covered the Billy Joel song, not the Ultravox one by the same title. But her airy, girly, lilting voice made for a charming, quirky piano performance.

Who turned? Blake and Gwen, both at the last minute.

Result: Team Blake! Even Blake seemed surprised. But while Gwen had said she wanted a “young, super-talented Disney girl,” Kate must have realized that Blake’s the coach with the better Voice track record with contestants of all ages.

Marina Chello, 37: “Walk Me Home”

Marina is one of those classic music-biz second-chancer contestants. The Uzbekistan immigrant, who learned English from the Mariah Carey catalog, was signed to Puff Daddy’s Bad Boy label in 2007, but nothing came of it. To be honest, I can kind of see why. Her P!nk cover was solid, but it was nowhere near an Alecia Moore level. I think this was the wrong song choice.

Who turned? Kelly, Blake.

Result: Team Blake! I have no idea why a rock/pop power-singer who covered P!nk would choose Blake over Kelly, the one coach that actually pointed out Marina’s potential. Marina explained that she just “went with her gut.” Maybe she had indigestion?

Kyndal Inskeep, 22: “Never Been to Spain”

The CS&N-loving Nashville nanny and Ali Fedotowsky lookalike had a pretty vibrato and serious Raitt/Ronstadt vibes. She is definitely one to watch – though, sadly, she’s the sort of contestant that could win but then will never be heard from again.

Who turned? Kelly, Gwen… and Blake, who got BLOCKED by Gwen! (“It’s never good when your girlfriend blocks you,” he grumbled.)

Result: Team Gwen. Gwen never won in her previous three seasons (and she only made it to the finale once, in Season 9 with fourth-placer Jeffery Austin), but she had a good night this Monday, so maybe this will be her year.

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https://www.yahoo.com/entertainment/the-voice-throws-shade-at-excoach-adam-levine-on-season-17-premiere-040849503.html

2019-09-24 04:11:53Z
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Senin, 23 September 2019

The Best and Worst Moments of the 2019 Emmys - The New York Times

The 71st Primetime Emmy Awards began with awards for “The Marvelous Mrs. Maisel” and ended with a final big win for “Game of Thrones.” But between those expected results were plenty of genuine surprises and exciting outcomes.

[See the full list of winners. | Billy Porter makes history. | Read our overview of the night. | Highlights from the red carpet.]

“Fleabag,” Phoebe Waller-Bridge’s biting and moving Amazon series, dominated the comedy category, including beating out the longtime Emmy favorite “Veep” for top comedy. Unexpected but welcome acting awards went to Jodie Comer and Waller-Bridge. Billy Porter made history as the first openly gay winner for best actor in a drama. Michelle Williams and Patricia Arquette gave memorably heartfelt acceptance speeches.

Inevitably, some bits flopped hard: A misguided announcing gimmick tried people’s patience and Masked Singers infested the Microsoft Theater like gigantic, colorful vermin. Here are some of the highs and lows of Sunday’s Emmy extravaganza. — JEREMY EGNER

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CreditFrederic J. Brown/Agence France-Presse — Getty Images

Much of the pre-ceremony coverage focused on the fact that the Emmys were going hostless this year, and sure enough the night opened with none other than Homer Simpson, who appeared to stroll across the stage (augmented-reality-style) before getting leveled by an animated piano.

The bit went on with Anthony Anderson, star of “Black-ish,” leaping from his seat. “We’re going to go without a host tonight!” he said, making it his mission to save the show. He found his savior in the multi-Emmy winner Bryan Cranston, who introduced a montage of clips by saying: “Television has never been this damn good.”

The opening was A-list enough that some viewers may not have even realized there wasn’t a ringleader. Or at least, didn’t care.

But some people did, or at least pretended to, which prompted plenty of laughs from the audience. In a bit later in the telecast, the late-night hosts Stephen Colbert and Jimmy Kimmel dragged the show’s format. “Well, well, well, how’s the old no-host thing going?” Colbert said.

“What a dumb idea,” Kimmel responded. “You know what has a host? Applebee’s has a host.”

We’re “the real victims,” Colbert said. “If we let this slide, the next thing you know, they’ll start using Alexa to present the nominees.” Which, of course, cued the voice of Amazon’s smart speaker assistant, Alexa: “O.K., here are the nominees for lead actress in a comedy series.” — MAYA SALAM

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CreditMatt Winkelmeyer/Getty Images

In lieu of a host, the actor and comedian Thomas Lennon was on hand to offer commentary and jabs between segments. But the jokey announcing just did not work, which he himself seemed to admit at one point, saying “This is why people don’t do this, because it sucks.” Part of it was the material — I’m not sure Chernobyl jokes are the way to go — but a bigger issue was how tacked on it felt, too separate from the actual broadcast. Some comments felt like a mic was accidentally picking up snark, and the timing never seemed quite right, so it never developed a real rhythm. — MARGARET LYONS

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CreditMike Blake/Reuters

“This is a love story.” The line introduced the staggering second season of “Fleabag,” and it fairly described the Emmys’ reception of Phoebe Waller-Bridge, who won awards for writing and starring in the Amazon series, which beat out “Veep” for best comedy and also collected an award for comedy directing. And Waller-Bridge, with the casual, quick-witted charm she displayed in the series, was the insouciant queen of the awards. “It’s really wonderful to know, and reassuring,” she said, “that a dirty, pervy, angry, messed-up woman can make it to the Emmys.” And this year, she made the Emmys her own. — JAMES PONIEWOZIK

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CreditPhil Mccarten/Invision, via Associated Press

Billy Porter, who stars in “Pose,” the FX drama set in the New York City ball scene during the 1980s and ’90s, broke ground on Sunday. The actor became the first openly gay winner for best actor in a drama, and true-to-form, his speech was soul-stirring and heartfelt. As Porter quoted James Baldwin and asserted that “We all have the right” to exist, the ceremony took on a new layer of significance. — AISHA HARRIS

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CreditFox

Did you know there’s a show called “The Masked Singer”? If you watched this year’s Emmy ceremony, you certainly know now.

It’s to be expected, of course, that the network showcasing the awards will find opportunities to plug their own content. But the shilling for Fox’s bizarre-o competition show — in which celebrities of varying stature and relevance sing pop songs while hidden behind ridiculously elaborate costumes and masks — was next-level.

Before the ceremony began, the disguised contestants for the upcoming second season were trotted out on the purple carpet. During the show, they popped up onstage, as a logo in the corner of the screen and in multiple commercials. Perhaps worst of all was a too-long and very unfunny bit between the “Masked Singer” host Nick Cannon and one of the judges, Ken Jeong. It’s doubtful this overkill converted the once-blissfully oblivious into believers. — AISHA HARRIS

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CreditChris Pizzello/Invision, via Associated Press

Social media segments are common at awards shows these days, but they’re always a complete drag. No one quite seemed to get Jeong and Cannon’s tedious TikTok routine, which included making a video of the audience. It was also awkwardly sandwiched between Alex Borstein’s speech about her grandmother surviving the Holocaust and the award for best comedy writing, which went to Phoebe Waller-Bridge. It was a lousy bit unto itself, but the placement made it seem even worse. — MARGARET LYONS

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CreditMike Blake/Reuters

Michelle Williams, named outstanding lead actress in a limited series for “Fosse/Verdon,” had one of the most enthusiastically received speeches of the night. It was a rallying cry for giving women in Hollywood the same money and resources as those granted to male actors. “When you put value into a person, it empowers that person to get in touch with their own inherent value, and then where do they put that value?” she asked. “They put it into their work.”

Williams has drawn the salary short straw before: She was slated to earn less than 1 percent of what her co-star Mark Wahlberg was getting for the film “All the Money in the World.” — NANCY COLEMAN

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CreditKevin Winter/Getty Images

Phoebe Waller-Bridge and Bill Hader presenting the award for best actor in a limited series was bright, silly and short. “What’s a limited series, Bill?” “A limited series is a show that’s been canceled.” The show didn’t suffer from a lack of hosts per se, but if the Academy wanted to go a different way next year, consider these two for the gig. — MARGARET LYONS

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CreditChris Pizzello/Invision, via Associated Press

Jharrel Jerome’s win as best actor in a limited series, for playing a wrongfully convicted youth in Ava DuVernay’s “When They See Us,” was a welcome surprise enough. But the most striking moment of his acceptance speech came when he called attention to the Exonerated Five — the men whose story of injustice and racist stereotyping the series brought to life — who stood, free and vindicated, in the audience. The Emmys is always a celebration of entertainment and imagination, but for a moment it became something else: history. — JAMES PONIEWOZIK

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https://www.nytimes.com/2019/09/23/arts/television/emmys-best-worst.html

2019-09-23 14:32:00Z
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