Jumat, 02 Agustus 2019

What I learned about cars watching all 8 Fast & Furious movies in 4 days - Ars Technica

LOOKS LIKE THEM DUKE BOYS ARE AT IT AGAIN
Enlarge / LOOKS LIKE THEM DUKE BOYS ARE AT IT AGAIN

As of last week, I had never seen any movies in the Fast & Furious franchise. I probably missed the first one in 2001 because I was planning my wedding or something else equally pedestrian. Then, before I knew it, there were seven more, and I had no chance of catching up.

But now the franchise has lasted longer than any of our president's marriages and has just birthed its first spin-off feature. So I have taken it upon myself to shotgun all eight movies in four days and report back to you what they have taught me about cars.

For the uninitiated, F&F more or less follows the car-crashing bromance of two shredded dude-bros played by Paul Walker and Vin Diesel. The former is a cop-turned-crook-turned-cop-turned-vigilante secret agent. The latter is a street-racing crook who eventually—well, look, there isn't really a job description for what these guys end up doing by the end of the series. When not racing or knocking heads, their relationship consists of Diesel dispensing blue-collar wisdom in a monotone while Paul Walker stares adoringly.

In order to truly understand their relationship, I've ordered the movies below by following the series' internal chronology. Yes, this differs from the release dates. Just because these movies go real fast doesn't mean they always move in a straight line.

Car vs. car: The Fast and the Furious (2001, dir. Rob Cohen)

The single-minded devotion of the first two films to their meathead aesthetic is astounding. Every car gleams. Every man spends as much time at the gym as the women spend waxing. The world is bereft of body fat or ugly people. The only sentences that don't end with "bro" end with "man" or "dude." Everything is "by Christian Audiger." (Not just the clothes; possibly the dialogue, too.) One of Vin Diesel's jacked homeys wears two tank tops at the same time. Hip-hop and jock jams blast continually from every orifice.

The Fast and the Furious is tightly paced and plotted, which is to be expected for what is essentially a remake of Point Break. Just replace the cars with surfboards and Vin Diesel with Houston's own Patrick Swayze (did I ever tell you I went to junior high with his cousin?).

Stand-out vehicles

Sure, Vin Diesel uses a 1993 Mazda RX-7 FD for his heists, but that's not where his heart is. He's all about family and community—which means American muscle cars like the 1970 Dodge Charger R/T his father left him. It's no surprise that Walker's undercover cop is so drawn to VD: the cop has no past, no roots, and no relationships. As such, Walker prefers foreign cars, including a 1995 Mitsubishi Eclipse RS that gets machine-gunned by gangsters and a 1995 Toyota Supra Mk.IV JZA80 that he gives to Vin Diesel as a part of a previously established bro-code that I won't spoil for you (spoiler: it's utlra bro-y). The dichotomy presented in the movie is true for all cultures across all time: do we stick with our traditions, no matter how ungainly, or do we become more adaptive, agile, and fuel efficient? Dude, heavy.

What I learned about cars: Going fast will turn your ride into a light cycle from TRON.

The hot rods in The Fast and the Furious are tricked out with tanks of magic juice—like, liquid Schwartz or something. The juice makes them go so fast that the world gets all blurry. Maybe it's cough syrup? Whatever the stuff is, I'll see if I can pick some up later at AutoZone for my 2001 Corolla.

Car vs. boat: 2 Fast 2 Furious (2003, dir. John Singleton)

And now we come to 2 Fast 2 Furious, the most ridiculous (and therefore best) title for a sequel. It joins Electric Boogaloo as a punchline for all potential sequels from now until the heat death of the universe. Possible examples include 2 Call 2 Name, 2 Temptation 2 Christ, and The Passion of Joan of Arc: Tokyo Drift.

The plotting in 2 Fast isn't as tight, but this is also the most whimsical of the series. It has to be—it's called 2 Fast 2 Furious. The trash-talking chemistry between Walker and singer-turned-actor Tyrese is a delight, and Tyrese's knowledge of different ways to say "bro" ("brah, "breh," etc.) is encyclopedic. When Walker and his old frenemy Tyrese reunite for the first time, director John Singleton (Boyz n the Hood) shoots their graceless scuffle in a Buster Keaton-esque longshot while an FBI guy has a snack. They eventually agree to go undercover for the Bureau in exchange for having their criminal records cleared. Remember that phrase "criminal records cleared," because you'll only hear it 1,584,925 more times in the next 13 hours.

Stand-out vehicles

Even as Walker reluctantly hints at his past, he still prefers slick, modernist cars from far-off places. That includes the 1999 Nissan Skyline GT-R R34 he drives to feed his racing addiction and the 2002 Mitsubishi Lancer Evolution VII that he uses on behalf of the FBI. Being his friend from Way Back, Tyrese also goes Japanese, although he prefers a 2003 Mitsubishi Eclipse Spyder GTS convertible in "look-at-me!!!" purple. And when the time comes for "the Dukes of Hazzard shit" stunt Walker pulls at the end, he drives a 1969 Yenko Camaro SYC, perhaps in tribute to Vin Diesel.

What I learned about cars: Yelling makes you go faster.

No, yelling at the car doesn't make it go faster. That would be ludicrous. (Though that would be fitting, since Ludacris co-stars.) I mean yelling while you're driving. Despite being in different cars and often miles apart, Walker and Tyrese can't stop shouting smack at each other. It's wonderful.

Car vs. mountain: Fast & Furious (2009, dir. Justin Lin)

When Paul Walker showed up for his henchman audition in 2 Fast 2 Furious, he wore shorts and a West Coast Choppers T-shirt. But when we first see him in Fast & Furious, he's wearing—groan—a suit. WTF? Does removing all the definite articles in the movie's title grant instant sophistication?

Turns out Fast & Furious was intended as a "soft reboot." Parts one, 2 Fast, and three are all about street-racing and cranking the bro-speak dial to 11 (we're skipping part 3 for now, stay with me). Meanwhile, characters still occasionally have to pay for things. But with Fast & Furious, the franchise shifts to multimillion-dollar heists around the globe, while Our Heroes can seemingly pluck cars, guns, and computers from the nearest tree.

In Fast & Furious, Walker (who skipped Tokyo Drift) reunites with Diesel (who skipped parts two and three) and helps him seek vengeance for VD's murdered love interest. That role is played by Michelle Rodriguez and—spoiler alert!—she has one of the least-convincing off-screen deaths in cinema history. Drug dealers, FBI guys, and vehicular mayhem ensue. And Ludacris has gone from being a neighborhood mechanic to a world-class hacker. (I assume Luda's character runs mv bitch regularly.)

Stand-out vehicles

The indistinguishable American '70s and '80s muscle cars that Vin Diesel drives in Fast & Furious can be best described as "GRRRR MANHOOD!!!" Paul Walker has the 2002 version of his beloved Nissan Skyline GT-R as well as a 2009 Subaru Impreza WRX STi GH.

What I learned about cars: Sometimes you don’t have time to roll down a window.

Despite tricking out his dad's 1970 Dodge Charger (and then tricking it out again after it gets wrecked), Vin Diesel never installs power windows. Either they slipped his mind or blah-blah-blah "staying true to your roots." So when he urgently needs the driver-side window down during a car chase, he puts his elbow through it. His arm is fine. Meanwhile, I bumped my foot on my AC adaptor while typing this and now I'm bleeding.

(BTW, can you picture anyone calling him "Vin" or "Mr. Diesel"? I imagine he's always "Vin Diesel" to everyone all the time, the way no one ever said "John" or "Mr. Wayne.")

Car vs. train: Fast Five (2011; dir. Justin Lin)

Maybe my brain was turning to car-crash mush by this point in the marathon, but Fast Five left me dizzy in the backseat with its bonkers plot. Vin Diesel has collected enough sidekicks to fill an NBA starting lineup. The movie has as many plot points as The Dark Knight or Heat, and it has more heists than those movies combined (I know comparing Fast Five to Heat is unfair because comparing anything to Heat is unfair). Also, I think someone gets pregnant, but I can't be sure.

Remember in 2 Fast 2 Furious when Our Guys spend a solid 30 seconds saying "ouch!" after they've just crashed their car into a yacht? I can't imagine Fast Five taking the time for such a great throwaway bit.

Maybe decrying a movie with "fast" in the title for being too fast makes me a philistine. Sue me. At least Dwayne "The Rock" Johnson finally makes his F&F franchise debut. I remember that part. I like The Rock.

Stand-out vehicles

PW and VD levitate their way out of 1963 Chevrolet Corvette Grand Sport after driving off a cliff (rad). Then there's the 2010 Dodge Charger SRT-8 LX: given a good chain and a heavy object, two of these can apparently level a city.

What I learned about cars: Regular cars work fine for off-roading.

So you bought a Jeep or a dune buggy or a pickup with huge tires to do some off-road driving? You chump. Turns out your average muscle-car or Hyundai Elantra can tear-ass across the desert at full speed without getting a scratch. Go get your dumb money back.

Car vs. tank: Fast & Furious 6 (2013; dir. Justin Lin)

Heavily customized Formula 1. It reminds me of a platypus.
Enlarge / Heavily customized Formula 1. It reminds me of a platypus.

To the surprise of absolutely no one who has ever seen a movie or turned on a television, Michelle Rodriguez didn't really die in Fast & Furious. Turns out she just had amnesia.

Coincidentally, so do I. The plot conceit here, about her work for a globetrotting villain, might be sophisticated and nuanced. I didn't really digest it. Maybe I was too busy imagining the whole yell-to-drive-faster thing working out for my next drive to HEB.

Stand-out vehicles

I went Googling for more info on the cars of Fast & Furious 6, and I ended up at Maxim. Because of course. The site describes the villain's cuckoo-bananas getaway car thusly:

Essentially a Formula 1-type chassis with a large metal plate where the windshield should be, it allows the driver to both outrun their pursuers as well as destroy anyone fast, and foolish, enough to keep pace. You also have to love the sound of that sequential gearbox revving to the limit.

What I learned about cars: What a single car cannot accomplish, many cars working together can get done.

Just as we once fantasized about filling a garage floor-to-ceiling with Apple IIs to reach the power of a single Pentium, F&F6 shows that, with enough sports cars working together, you can take down a tank or a jumbo jet.

Car vs. adolescence: The Fast and the Furious: Tokyo Drift (2006; dir. Justin Lin)

I am from Houston. Actor Lucas Black is from Decatur, Alabama. That is close enough that everything he does or says is 100% convincing to me.

Like Halloween III, Tokyo Drift is only tangentially related to the rest of the series. After watching F&F get progressively busier and more overstuffed throughout parts four, five, and six, it's refreshing to watch a movie that's just about the kid from Sling Blade learning that he doesn't have to keep wrecking cars to impress girls. Think of it as a palate cleanser: by bringing the stakes back down to Earth, Tokyo Drift is allowed to breathe and have more personality. It lets us enjoy the simple pleasures of a car-repair montage or watching drunk people make out at a party.

Stand-out vehicles

Now that we're in Japan, Japanese cars symbolize hometown pride and not alienation. The film's Tokyo villain prefers the 2002 Nissan Fairlady Z Z33 and a 2000 Mazda RX-7 Type RS FD. Meanwhile, Our Hero rocks a heavily modified 1971 Chevrolet Monte Carlo while stateside. Until he trashes it. But unlike Vin Diesel, he adapts to his new circumstances and drives variations of the Nissan Silvia S-15 until the final confrontation. That's when he returns to his roots by renovating his dad's 1967 Ford Mustang Fastback, as one does.

What I learned about cars: You can make a whole movie out of turning.

Do y'all remember when drifting was first getting big in the States? Man, the 2000s were something else.

Car vs. skyscraper: Furious 7 (2015; dir. James Wan)

Lykan HyperSport. This particular vehicle belongs to the Abu Dhabi Police.
Enlarge / Lykan HyperSport. This particular vehicle belongs to the Abu Dhabi Police.

This is when director and human cash machine James Wan joins the series. Before helming Aquaman, he was the man behind the Saw, Conjuring, and Insidious franchises. Everything he touches turns into a pile of money.

Also, Jason Statham is in this. The Stath hunts Our Heroes from continent to continent because they put his villain brother in a coma.

Furious 7 is the best in the series in part because it takes a page from the last three Mission: Impossible films: it has just enough plot to tie together the explosions and spectacles. (Furious 7 even shares a film editor and a cinematographer with Mission: Impossible II.) Motivations are clear. The cast is kept to a manageable size. The stunts are given enough space and well-timed slow-motion so that they have weight.

Also, by not overwhelming us with plot and side characters, parts seven and eight have the leisure time to show us The Rock doing a Samoan war dance with his daughter's soccer team and respecting workplace boundaries with his attractive female coworker. I wonder if he'll be my friend.

Also also, the jock jams are back. Sweet.

Stand-out vehicles

The only ride that matters in Furious 7 is the $3.4 million Lykan HyperSport. It's apparently made of ground-up unicorns, and Our Guys trash it. They trash it good.

What I learned about cars: Cars are safe and so is jumping out of them while they are moving.

Over the past 14 hours, we've seen vehicles flip over, plow through walls, crash into trains, tumble down cliffs, fly between buildings, burst into flames, race while on fire, parachute from jumbo jets, and hit each other head-on at half the speed of sound. But in all that time, as best I can tell, only one named character is killed in a car. Everyone else walks away. If F&F has an overarching lesson, it's that you're not just more badass inside of a car than anywhere else—you're safer, too.

Oh, and rolling out of a car while it's doing 90? Suuuuuuuper easy.

Car vs. submarine: Fate of the Furious (2017; dir. F. Gary Gray)

This is preferable to getting your car towed.
Enlarge / This is preferable to getting your car towed.

My boss says that no matter how pudding-adjacent my brain is now I can't just copy and paste my description of Furious 7 here. So. In Fate (F8?) a villain's villain with questionable dreads blackmails Vin Diesel into joining her evil scheme to steal the cyber. She's played by Oscar-winner Charlize Theron, and she does this thing that villains have been doing lately where they try to convince the good guy that everything is their fault when it's clearly not. It's like gaslighting, except the gaslighter really believes it, too.

Stand-out vehicles

Uh, the submarine?

What I learned about cars: It’s better to obliterate your car than have it taken away from you.

Blowing up your ride and hurling its flaming wreckage into Havana Harbor is infinitely superior to it getting towed. Because there will always be more cars.

Hahahahaha fossil fuels will destroy us all.

The future of filmmaking.
Enlarge / The future of filmmaking.

Now that that's done, let's all pour out a 40 for Paul Walker. He died during a break from filming Furious 7 and gave the kind of low-key, unfussy performance that is perfect for anchoring the howling insanity that is Fast & Furious.

If all these movies haven't sated your lust for dude-bros smashing hot cars, you're in luck: the F&F spin-off movie, Hobbs & Shaw, comes out today. I haven't seen it yet because I'm still recuperating in a hyperbaric oxygen chamber hidden away in an underground fortress, but it's got The Rock and The Stath and Princess Margaret in it and that sounds pretty great to me. Plus Cars Technica editor Jonathan Gitlin saw it and he liked it, and that Jonathan is a stand-up dude with reasonably OK taste in clothing and entertainment.

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https://arstechnica.com/gaming/2019/08/what-i-learned-about-cars-watching-all-8-fast-furious-movies-in-4-days/

2019-08-02 14:15:00Z
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Swedish Prosecutors Asking for 6-Month Jail Sentence for A$AP Rocky - TMZ

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https://www.tmz.com/2019/08/02/asap-rocky-witnesses-not-strike-alleged-victim-bottle/

2019-08-02 13:55:00Z
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Witness at A$AP Rocky trial didn't see rapper with bottle - AOL

STOCKHOLM (AP) — A witness in the A$AP Rocky assault case on Friday revised her story from initial police reports, testifying in a Swedish court that she didn't actually see the American rapper hitting a man with a bottle.

The young woman and her friend, testifying anonymously, were questioned via video link at Stockholm District Court.

The third day of a trial where the rapper, whose real name is Rakim Mayers, and two other suspects are accused by prosecutors of beating 19-year-old Mustafa Jafari, is focusing on witness testimonies, including the rapper's bodyguard, identified as Timothy Leon Williams.

Whether or not Jafari, who got into an argument with Mayers' entourage in Stockholm on June 30, was hit with parts or a whole bottle has become one of the key issues at the trial.

The rapper, 30, pleaded not guilty at the start of the trial Tuesday, saying he acted in self-defense when Jafari and another man would not leave them alone.

The woman on Friday told the court she had been eating with her friend at a fast-food restaurant in central Stockholm on the evening of June 30 when they saw Mayers' entourage and Jafari encountering each other outside the venue. The two women rushed outside to have a photo taken with the American rapper but the situation had already escalated into a brawl.

The woman testified that she heard a bottle being crushed but could not say whether Mayers' entourage threw the bottle to the ground or hit Jafari with it. She said she didn't see Mayers holding a bottle during the scuffle.

Her friend testified that she didn't see anyone hitting Jafari with a bottle.

Related: A$AP Rocky Out and About

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PARIS, FRANCE - JUNE 27: A$AP Rocky performs at Le Zenith on June 27, 2019 in Paris, France. (Photo by David Wolff - Patrick/Redferns)

PARIS, FRANCE - JUNE 22: ASAP Rocky is seen wearing batik tshirt outside Loewe during Paris Fashion Week - Menswear Spring/Summer 2020 on June 22, 2019 in Paris, France. (Photo by Christian Vierig/Getty Images)

PARIS, FRANCE - JUNE 22: ASAP Rocky is seen wearing batik tshirt outside Loewe during Paris Fashion Week - Menswear Spring/Summer 2020 on June 22, 2019 in Paris, France. (Photo by Christian Vierig/Getty Images)

VANCOUVER, BRITISH COLUMBIA - JUNE 15: Rapper A$AP Rocky performs on stage during Breakout Festival 2019 at PNE Amphitheatre on June 15, 2019 in Vancouver, Canada. (Photo by Andrew Chin/Getty Images)

ROME, ITALY - MAY 28: Rakim Mayers, aka A$AP Rocky, attends Gucci Cruise 2020 at Musei Capitolini on May 28, 2019 in Rome, Italy. (Photo by Daniele Venturelli/Daniele Venturelli/ Getty Images for Gucci)

NEW YORK, NEW YORK - MAY 12: A$AP Rocky performs in concert at Park Avenue Armory on May 12, 2019 in New York City. (Photo by Noam Galai/Getty Images)

SINGAPORE, SINGAPORE - APRIL 13: A$AP Rocky performs at the MARQUEE Singapore grand opening celebration on April 13, 2019 in Singapore. (Photo by Christopher Jue/Getty Images for MARQUEE Singapore)

LONDON, ENGLAND - APRIL 25: ASAP Rocky attends the CASA LOEWE New Bond Street opening on April 25, 2019 in London, England. (Photo by Darren Gerrish/WireImage)

AUSTIN, TX - MARCH 11: ASAP Rocky, Josh Rubin and Gorden Wagener attend Featured Session: Using Design "Differently" to Make a Difference during the 2019 SXSW Conference and Festivals at Austin Convention Center on March 11, 2019 in Austin, Texas. (Photo by Diego Donamaria/Getty Images for SXSW)

AUSTIN, TX - MARCH 11: ASAP Rocky speaks onstage at Featured Session: Using Design "Differently" to Make a Difference during the 2019 SXSW Conference and Festivals at Austin Convention Center on March 11, 2019 in Austin, Texas. (Photo by Diego Donamaria/Getty Images for SXSW)

AUSTIN, TEXAS - MARCH 11: Rapper, actor and creative director A$AP Rocky is interviewed live on stage during the 2019 SXSW Conference and Festival at the Austin Convention Center on March 11, 2019 in Austin, Texas. (Photo by Jim Bennett/WireImage)

PARIS, FRANCE - FEBRUARY 28: A$AP Rocky attends "La Nuit" by Sofitel Party with CR Fashion Book at Pavillon Cambon during Paris Fashion Week Womenswear Fall/Winter 2019/2020 on February 28, 2019 in Paris, France. (Photo by Victor Boyko/Getty Images)

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However, both women testified that they saw Mayers and his partners beating and kicking Jafari.

"Everything happened very quickly. We were scared for our lives," the first woman told the court. "He (Jafari) was bleeding. He showed his injuries on his hand. He also said he had a sore back."

The trial has created a stir in U.S.-Swedish diplomatic relations after President Donald Trump weighed in to support the Grammy-nominated recording artist. Trump has spoken with Swedish Prime Minister Stefan Lofven, offering to personally guarantee A$AP Rocky's bail, but the Swedish leader said he couldn't interfere in a legal case.

The case has also drawn the attention of celebrities, including Sean "Diddy" Combs and Justin Bieber, and a social media campaign has been pressing for the rapper's release.

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https://www.aol.com/article/entertainment/2019/08/02/witness-asap-rocky-trial-rapper-bottle/23785216/

2019-08-02 13:25:15Z
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Katy Perry and collaborators ordered to pay $2.78 million for copying Christian rap song - Fox News

Katy Perry and her collaborators at her record label have to pay $2.78 million after a federal jury found the pop star copied one of her hit songs.

The jury previously found that Perry’s 2013 hit “Dark Horse,” which spent four weeks at No. 1 on Billboard’s Hot 100 in early 2014 and was performed at the Super Bowl, copied a 2009 Christian rap song titled “Joyful Noise.”

It was an underdog victory for rapper Marcus Gray, a relatively obscure artist once known as Flame, whose 5-year-old lawsuit survived constant court challenges and a trial against top-flight attorneys for Perry and the five other music-industry heavyweights who wrote her song.

The amount fell well short of the nearly $20 million sought by attorneys for Gray and the two co-writers of "Joyful Noise" — Emanuel Lambert and Chike Ojukwu — but they said they were pleased.

TAYLOR SWIFT DENIES KISSING KATY PERRY IN 'YOU NEED TO CALM DOWN' MUSIC VIDEO, ANNOUNCES CELEBRITY CAMEOS

"We weren't here seeking to punish anyone," said Gray's attorney, Michael A. Kahn. "Our clients came here seeking justice, and they feel they received justice from a jury of their peers."

Perry herself was hit for just over $550,000, with Capitol Records responsible for the biggest part of the award — $1.2 million. Defense attorneys had argued for an overall award of about $360,000.

Perry's attorney, Christine Lepera, said they plan to vigorously fight the decision.

"The writers of Dark Horse consider this a travesty of justice," Lepera said.

"Dark Horse," which combines elements of pop, hip-hop and trap styles, was a mega-hit for the Santa Barbara, California-born singer, with its call-and-response chorus of "Are you ready for (ready for), a perfect storm (perfect storm)?"

Gray, a native of St. Louis, sued later in 2014. His song of earnest and ebullient praise stood in stark contrast to the playful black magic evoked by "Dark Horse," and an early version of the lawsuit faulted Perry's song for tainting the sanctity of his.

The two-week trial had two phases: One about music, one about money.

Perry took the witness stand on the first day of testimony. She testified, as her co-writers would, that she had never heard of Gray or Flame or "Joyful Noise" until he sued.

She got a rare laugh from the courtroom when her attorneys were struggling with technical issues as they tried to play a part of "Dark Horse."

"I could perform it for you live," said Perry, who did not appear in court for the rest of the trial.

The jury heard testimony from musicologists on the disputed section of the two songs — a piece of the musical backing track that plays during the verses of "Dark Horse" and throughout almost all of "Joyful Noise."

NUN BATTLING KATY PERRY OVER CONVENT SAYS SINGER ‘HAS BLOOD ON HER HANDS’

While jurors were told to consider only those sections, they gave a surprisingly sweeping verdict Monday that held all six songwriters responsible for copying "Joyful Noise." That included Perry, who wrote only lyrics, her co-lyricist Sarah Hudson, and Juicy J, who only provided a rap verse for the song.

The instrumental track that was most at issue was created by Dr. Luke, Max Martin and Circuit.

During closing arguments earlier Thursday, Gray's attorneys said that because the relevant riff plays through 45 percent of "Dark Horse," the plaintiffs should get 45 percent of its earnings, including every album that included it. They put those overall earnings at $41 million, thus seeking nearly $20 million.

The defense argued that only fractions of the album earnings should count for the single song and that considerable promotional expenses paid by Capitol Records should be subtracted.

Gray's attorneys said those expenses were gratuitous, pointing out to jurors that they included $13,000 for a hairstylist for Perry for one awards show and nearly $2,000 for flashing cocktail ice cubes.

The nine jurors deliberated for two full days to reach their initial verdict but took just a few hours to decide on dollar amounts.

Perry's five co-writers were each given penalties to pay that ranged from about $60,000 for Dr. Luke to more than $250,000 for Martin.

The jurors decided that the instrumental riff the two sides were fighting over was responsible for 22.5 percent of the success of "Dark Horse" and handed out the awards accordingly.

The defendants' fight against the decision will begin immediately. U.S. District Judge Christina A. Snyder, who presided over the trial, will now consider a motion to throw out the case.

Lepera, Perry's attorney, said outside court that the plaintiffs presented no evidence of copyright infringement, no evidence that the songwriters had access to "Joyful Noise" and no evidence the songs that were substantially similar.

"The only matter in common is an unprotectable C and a B note, repeated," Lepera said. "We've been receiving outcry from people all over the world, including other musicologists."

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If the judge upholds the verdict, the case will almost certainly head to an appeals court, where jury awards in similar cases have often been changed or thrown out in recent years.

The Associated Press contributed to this report.

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https://www.foxnews.com/entertainment/katy-perry-ordered-pay-million-copying-christian-song

2019-08-02 11:50:05Z
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