Woody, Buzz Lightyear and Forky are still ruling the box office. Despite solid debuts from newcomers “Annabelle Comes Home” and “Yesterday,” Disney and Pixar’s “Toy Story 4” easily dominated North America.
The fourth chapter in the animated series collected another $58 million, boosting its domestic haul to a huge $237 million. After two weekends in theaters, “Toy Story 4” already the fourth-highest grossing movie of the year. The first three spots — “Avengers: Endgame” ($841 million), “Captain Marvel” ($428 million), and “Aladdin” ($306 million) — all belong to Disney as well.
Warner Bros. and New Line’s “Annabelle Comes Home,” the seventh installment in the Conjuring Universe, had the best showing among new releases. The supernatural horror film debuted in second place, earning $20 million over the weekend and $31 million since launching on Wednesday. While those ticket sales represent a franchise-low debut for the Conjuring series, but its low production budget still marks a win for the studio. Gary Dauberman wrote and directed “Annabelle Comes Home,” which stars Patrick Wilson, Vera Farmiga and Mckenna Grace.
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In a close third, Universal and Working Title’s “Yesterday” launched with $17 million from 2,603 venues. The musical romantic comedy follows an aspiring songwriter (newcomer Himesh Patel) who, after a freak accident, discovers he’s the only person who remembers the Beatles. “Yesterday” was directed by Danny Boyle (“Slumdog Millionaire,” “Trainspotting”) and written by Richard Curtis (“Love Actually”). Rights to the catalogue of John, Paul, George and Ringo’s greatest hits doesn’t come cheap, so Universal is hoping “Yesterday” has a long and winding road in theaters.
“Yesterday” appealed to an older female audience. Women represented 56% of ticket buyers, while 75% of moviegoers were over the age of 25. It carries an A- CinemaScore.
“We know our audience is older,” Jim Orr, Universal’s president of domestic distribution, pointed out. “That group doesn’t necessarily run out opening weekend. Our audience scores on PostTrak and Rotten Tomatoes are tremendous. That combined should lead us to a long, healthy run at the domestic box office.”
A little farther down on domestic box office charts is “Avengers: Endgame,” which returned to the top 10 after Disney re-released the blockbuster with an unfinished deleted scene that didn’t make it into the initial film. The special screening, which also included a video introduction from director Anthony Russo and a sneak peek at “Spider-Man: Far From Home,” is in a bid to take down “Avatar” as the biggest movie of all time. “Avengers: Endgame” added another $5.5 million in its 10th weekend of release, almost a 200% jump in ticket sales. That brings its box office receipts to $841 million in North America and $2.76 billion worldwide. That puts Marvel’s juggernaut roughly $26 million behind “Avatar,” which has remained the highest-grossing film of all time for nearly a decade with $2.78 billion in global ticket sales.
In fourth place, Disney’s “Aladdin” generated $9.3 million in its sixth weekend in theaters, pushing it past the $300 million mark at the domestic box office. The live-action remake has now earned $306 million in North America and $568 million internationally.
Rounding out the top five is Universal and Illumination’s “The Secret Life of Pets 2” with $7 million. The animated sequel has now earned $131 million in North America.
In other box office milestones, Lionsgate’s “John Wick: Chapter 3 – Parabellum” crossed $300 million worldwide. The Keanu Reeves-led sequel picked up $3 million this weekend, taking its domestic tally to $161 million.
More to come…
https://variety.com/2019/film/box-office/box-office-toy-story-4-annabelle-comes-home-yesterday-1203256559/
2019-06-30 15:19:00Z
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It takes a couple of episodes to really get going, but ultimately, Season 3 of the Duffer Brothers’ 
From there, Season 3 toggles between tubular and, like, totally tubular, its emotional developments coming off every bit as life-or-death as its eye-popping action sequences. Among the highlights (and there are many!): The evolution of Joyce and Hopper’s relationship is alternately adorable, frustrating and poignant; new hurdles in Nancy and Jonathan’s romance take it deeper than their initial pretty girl/weird guy obstacle ever could have; Maya Hawke’s Robin (an insta-fave) makes a hilarious third wheel in Steve and Dustin’s ongoing bromance; and Priah Ferguson gets a lot more scenes to steal as Lucas’ snarky sister Erica.