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Jumat, 31 Mei 2019

Star Wars Land: a food & drink photo guide to Galaxy’s Edge - Polygon

Not only does Star Wars: Galaxy’s Edge feature new rides, locations, and immersive Star Wars experiences. The new park expansion also features Star Wars food. That’s right — food (and drinks) from the Star Wars universe, now available for your consumption in Disneyland, and later to Disney’s Hollywood Studios on Aug. 29.

One of the biggest announcements to come out of Disneyland’s Star Wars: Galaxy’s Edge wasn’t anything to do with the rides or the immersive experiences. This one was just for the adults descending upon the smuggler’s output: Galaxy’s Edge would be the first land at Disneyland to serve alcohol.

Pour one out, rebels.

To be fair, Galaxy’s Edge doesn’t only serve alcoholic beverages; they just happen to be a big draw. But there are plenty of other Star Wars beverages filling the stalls and cantinas of the planet Batuu.

Kat Saka’s Kettle

Amidst the bustling marketplace, guests will find a colorful popcorn blend unique to the Star Wars world. The snack has a savory sweet taste, both salty and fruity. We found it a bit addictive, the thing that you blindly pick at while waiting in line, until it’s suddenly gone. A pouch runs you $6.49.

Docking Bay 7 Food and Cargo

According to Galaxy’s Edge’s in-world lore, famous chef Chef Strono “Cookie” Tuggs owns this mobile restaurant, in which he travels across the galaxy and cooks up delicious meals. This is the main dining location in Star Wars Land and thus features the most expansive menu, with options for breakfast, lunch, and dinner that all range between $12.99-$18.99.

Breakfast includes an egg bite called the Bright Suns Morning, an oatmeal concoction with dragon fruit called the Rising Moons Overnight Oats, and a “sweet galactic delight” called the Mustafarian Lava Roll.

Smoked Kaadu Ribs at Star Wars Land — Smoked Kaadu Ribs

Lunch features Smoked Kaadu Ribs (pork ribs), Fried Endorian Tip-yip (crispy chicken with roasted vegetable potato mash), (chilled shrimp with marinated noodles), Felucian Garden Spread (Kefta with hummus in a pita), and Roasted Endorian Tip-Yip Salad (a chicken salad). We really enjoyed the Felucian Garden Spread, a light and refreshing dish that doesn’t really have a contemporary in the rest of the park’s culinary options.

The dinner menu includes the Smoked Kaduu Ribs, Friend Endorian Tip-yip, Yobshrimp Noodle Salad, and the Roasted Endorian Tip-yip Salad, as well as the Ithorian Garden Loaf (a vegetable based meatloaf) and Braised Shaak Roast (beef pot roast).

Desserts — available at both lunch and dinner — include the Oi-oi Puff (a raspberry cream puff) and the Batuu-bon (chocolate cake). The Batuu-bon’s more of a sweet milk chocolate treat. It has a neat little chocolate token that rests on top of it’s shiny, round, gooey exterior.

The main dining location in the land also features various themed drinks like Moof Juice, Phattro, and Batuubucha Tea — along with Black Caf (aka regular ol’ coffee with a Star Wars zinger for a name).

Oga’s Cantina

This dining location the first in Disneyland to serve alcohol. Within the park lore, Og’s Cantina is a notorious hotbed of smugglers and less than savory citizens.

Alcoholic drinks, ranging from $14-$15, will include Jedi Mind Trick, the Outer Rim, T-18 Skyhopper, Fuzzy Tauntaun, Dagobah Slug Slinger, Bespin Fizz, Jet Juice, and Yub Nub (which comes with an exclusive Endor mug, hiking up the price to $42). Morning variations include Spiran Caf and Bloody Rancor (spiked coffee and a Bloody Mary-esque concoction respectively).

The Outer Rim, Bespin Fizz, Yub Nub, and Fuzzy Tauntaun alcoholic drinks at STar Wars Land — Oga’s alcoholic drinks (L to R): The Outer Rim, Bespin Fizz, Yub Nub, and Fuzzy Tauntaun

Various beers, wines, and ciders are available on tap, range from $12-$13, and all sport Star Wars names. The beers are Gold Squadron Lager, White Wampa Ale, Gamorrean Ale, and Bad Motivator IPA, with Spice Runner cider. The wine is Toniray and Imperial Guard.

Oga’s non-alcoholic drinks (L to R): Carbon Freeze, Oga’s Obsession, and Cliff Dweller

Non-alcoholic drinks (all $6-$7.50) include Hyperdrive, Jabba’s Juice, Blurrgfire, Carbon Freeze, Cliff Dweller (which comes with an exclusive Porg mug), Oga’s Obsession, and Blue Bantha. Breakfast drinks include Black Spire Brew, Moogan Tea, and Tarine Tea. If you’re going the non-alcoholic route, we vouch for the Carbon Freeze which takes inspiration from passion fruit bubble tea with pearls.

In addition to its robust drink menu, Oga’s also has one food option during the day, a snack mix called Batuu Bites. Breakfast food includes Mustafarian Lava Roll and Rising Moons Overnight Oats.

Ronto Roasters

The barbeque meat inside the Ronto Wraps is cooked up on a large pod racing engine.

The morning menu includes the $12.49 Ronto Morning Wrap — scrambled eggs, cheese, peppercorn sauce wrapped in pita — as well as Rising Moons Overnight Oats ($6.99). The regular Ronto Wrap, made up of roasted pork, grilled sausage, and slaw, will be available all day for $12.99. Nuna Turkey Jerky is also available at Ronto’s. A collision of familiar foods — hotdog, pork sandwich, and gyro — we like how the salty fat of the meat mixes with the vinegary slaw. Our pita did a commendable job of not getting soggy.

The barbeque joint also features non-alcoholic beverages like the Sour Sarlacc, the Tatooine Sunset, and Meiloorun Juices.

The Milk Stand

Ever wanted to try the ... Green Milk that Luke Skywalker obtained from a creature in The Last Jedi? Or the Blue Milk he served during a family meal during A New Hope? Now you can for $7.99. What can we say? Luke Skywalker really likes his calcium.

The Blue Milk has a fruity, unexpected taste. We like it! The Green Milk... maybe just stick with the Blue Milk! You can read more about the Milk Stand in our Blue Milk review.

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https://www.polygon.com/2019/5/31/18638513/disneyland-star-wars-land-what-to-eat-drink-food-photos-galaxys-edge

2019-05-31 16:02:46Z
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It Looks Like Taylor Swift And Katy Perry Are Actually Friends Now And I Couldn't Be More Shook - BuzzFeed

If you're at all invested in what goes on in the world of pop music, you'll know about the infamous years-long feud between Taylor Swift and Katy Perry.

Angela Weiss / AFP / Getty Images, Allen Berezovsky / Getty Images

It all started back in September 2014 with a Rolling Stone interview in which Taylor revealed her song "Bad Blood" was inspired by her relationship with a fellow artist who she was "never sure" was her friend.

Big Machine / giphy.com

She said the other artist had attempted to "sabotage" her Red Tour by hiring a bunch of people from under her. After some intense investigations, fans deduced Taylor was talking about Katy.

What happened next was a lot of dramatic back-and-forth, but it all ended in May last year when Katy sent Taylor a note and a literal olive branch to officially end the feud.

Instagram: @taylorswift

"Hey Old Friend," the note read. "I've been doing some reflecting on past miscommunications ... I really want to clear the air ... I am deeply sorry."

Things have remained civil between the two since then. They haven't really publicly interacted, but there was a theory that there might be a Katy collab on Taylor's upcoming album.

Not trying to be loud.....but olive branches and palm trees are both symbols for peace..........are we getting a taylor swift and katy perry collab I NEED TO KNOW — Big Machine

However, there has recently been some very suspect activity happening with Taylor and Katy and their social media accounts, and I have officially turned into the personification of the 👀 emoji.

Big Machine

On Wednesday, Taylor posted this photo of herself cradling her new cat Benjamin Button. She posted it on Instagram, Tumblr, and Twitter, because she knows he is adorable and needs to be shared across all social platforms.

And who popped in to like the photo on Twitter? Ms Katy Perry.

Now, LISTEN. It's a cute photo and Katy likes cats, so why wouldn't she like it? I get it. But then something else happened.

So, Taylor updated the playlist she has on Apple Music to promote her new song, "Me". And she added Katy's new song, "Never Really Over".

Apple Music

"Everything that happens to us is just part of a story we'll tell someday," Taylor writes in the playlist description. "These songs are the soundtrack of my story at the moment."

Apple Music

And guess what, Swifties? The song is now the 13th track on the playlist.

I think it's fair to say that fans of both are freaking out.

KATY LIKED TAYLORS TWEET AND NOW TAYLOR IS ADDING NRO TO HER APPLE MUSIC PLAYLIST. AS SOMEONE WHO HAS STANNED THEIR FRIENDSHIP SINCE 2008 THIS IS EVERYTHING MY 6 YEAR OLD AND 16 YEAR OLD SELF COULD EVER WANT AND MORE

And they're already calling for a collab/special guest appearance/best friendship in Taylor and Katy's upcoming eras.

katy attending ts7 world tour as a special guest and performing never really over with taylor...yes? YESSS!!!

It looks like this feud is, in fact, really over. 😎

Ellie Bate is a celebrity reporter and talent coordinator at BuzzFeed UK and is based in London.

Contact Ellie Bate at eleanor.bate@buzzfeed.com.

Got a confidential tip? Submit it here.

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https://www.buzzfeed.com/eleanorbate/taylor-swift-katy-perry-friends-now

2019-05-31 14:22:00Z
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Ava DuVernay's bruising Central Park Five series is an elegant elegy to young lives lost to the system - The A.V. Club

If the heart-rending saga of the Central Park Five didn’t exist, Dick Wolf would have had to invent it. After all, the case of five black and Latino teenagers wrongly convicted of raping and beating a white woman is exactly the kind of thorny, politically fraught story on which Wolf’s iconic Law & Order franchise was built. Even three decades after the attack and its aftermath, it’s not uncommon to hear a Special Victims Unit detective make a sidelong reference to the case or the many lessons it imparted. From the risks of coercive interrogation to the dangers of a ravenous media response, the Central Park Five have served as a totem for systemic failure long after their official exoneration.

Director Ava DuVernay isn’t content for the story of the Central Park Five to exist as a law enforcement case study, or for the public to only know the men by their reductive sobriquet. When They See Us, DuVernay’s furious and infuriating four-part Netflix series, maintains a disciplined focus on the men involved, showing how their lives and communities suffered irreparable damage as a result of their incarceration after confessing under extreme duress. The ground-level approach lies in stark contrast with that of co-director Ken Burns’ non-fiction take on the same material, which concerns itself more with the procedural errors and how growing anxiety about metropolitan crime created a bloodthirsty mob.

Those elements of the story are well-represented in DuVernay’s scripted version, but only as much as they’re required to recount the awful facts. One night, in April of 1989, five Harlem boys—Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana, and Korey Wise—literally fall in with a bad crowd. Each kid follows a large, disparate group of young black men into Central Park, only to watch in horror as the mob’s idle hands make fists and pummel random passersby. The police arrive to stop the crowd from escalating its violent behavior, and the five boys who eventually take the fall get swept up in the NYPD’s broad net. Unbeknownst to the boys, who were mostly strangers prior to that night, a 28-year-old jogger had been dragged off a Central Park trail, raped, and beaten within inches of her life.

The jogger’s attack doesn’t seem to fit with the other crimes, in terms of time, space, and physical evidence, and the boys are initially confused when their interrogations turn toward a rape they know nothing about. But that doesn’t stop city prosecutor Linda Fairstein (Felicity Huffman) from prodding detectives to garner confessions by any means necessary, with widespread public outrage curdling into top-down political pressure and an entire city demanding swift justice. That includes pressure from a certain real estate developer who once seemed most likely to inspire the main antagonist in a next-gen Leisure Suit Larry game, but instead became the de facto leader of the free world. The limited series isn’t bashful about calling out the president by name and highlighting how his public push for hang-’em-high justice then is reflected in his policies toward black and brown people now.

The first episode is hardest to watch because it shows in harrowing detail the circumstances that would lead anyone, especially a minor, to admit involvement in a violent crime. It’s one thing to hear a voice in a documentary recalling a 30-hour interrogation without food or sleep, outside the presence of parents or legal representation and often augmented with physical abuse or the threat thereof. But it’s entirely different to watch those events dramatized, to see the terror and confusion of the situation acted by newcomer Asante Blackk, who plays Richardson and distinguishes himself among a cast of ringers. Blackk is puberty personified, with the face of a ceramic cherub and an impossibly mannish voice, making him the best vessel for a story about kids forced into adulthood by their circumstances.

After the initial arrests, DuVernay focuses on each phase of the boy’s experiences coming of age in the criminal justice system, returning to territory she previously explored in her mass incarceration documentary 13th. Each episode makes increasingly obvious that if DuVernay could have communicated more using only tight close-ups of the core actors, she would have done so. The four-episode structure and the tight focus on the boys works well for the story, but frequently means the impressive ensemble cast flits in and out before they’re able to make a real impression. Blair Underwood and Joshua Jackson, to name two, show up as part of the boys’ ragtag legal team, but they don’t have much to chew on, which is probably for the best considering how little impact they ultimately had on their clients’ fates.

That’s certainly not the case for Jharrel Jerome, best known for his role in Moonlight, who gets the biggest spotlight here as Wise, whose arc represents the cruelest twist in a plot full of them. Jerome is the only actor to portray his character as a child and as an adult, and the feature-length final installment is almost entirely a showcase for his performance. As handsome and well-rendered as When They See Us is, the nature of the story makes the show taste like medicine, and one could be forgiven for stopping after the first episode on account of sheer emotional exhaustion. But if there was a single episode to watch, it would be the last one, which portrays Wise’s horrifying journey as the only one of the five boys to be sent to an adult prison. Jerome’s performance is absolutely stunning and richly detailed, down to his choice to replicate Wise’s clenched oral posture.

There’s light at the end of the tunnel, of course, the mostly post-scripted vindication of the men after the actual culprit came forward and DNA evidence exculpated Wise, McCray, Richardson, Salaam, and Santana, leading to a multi-million dollar settlement from the city. But man, it’s a hell of a tunnel. When They See Us is DuVernay at her best: urgent, unflinching, and political. But like 13th before it, it’s a gutting viewing experience, one that probably benefits from binge-viewing, but makes doing so nearly impossible.

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https://tv.avclub.com/ava-duvernays-bruising-central-park-five-series-is-an-e-1835135851

2019-05-31 14:20:00Z
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