Sabtu, 13 April 2019

Donald Glover’s ‘Guava Island’ Debuts After Coachella Set as Childish Gambino - The New York Times

“Guava Island,” a new 55-minute film starring Donald Glover and Rihanna, was released as a limited-time free stream on Amazon overnight Saturday, during Glover’s headlining set as Childish Gambino at the Coachella Valley Music and Arts Festival.

The mysterious project, which has been teased for months, features Glover as Deni, a singer hoping to bring the mystical island of Guava together with a music festival, while Rihanna plays his girlfriend, Kofi, and provides voice-over during a fairy-tale-like animated introduction about the fictional location and its valuable blue silk. Nonso Anozie (“Game of Thrones”) and Letitia Wright (“Black Panther”) also appear.

With a plot involving exploited workers, the struggles of musicians and a society divided between red and blue, the film incorporates themes present in much of Glover’s recent work, from the hit FX series "Atlanta" to his viral, Grammy-winning song and video for “This Is America,” which is interpolated in “Guava Island.”

The film was written by Glover’s brother Stephen and directed by his longtime collaborator Hiro Murai, who was also behind the camera for much of “Atlanta” and “This Is America.” Following its premiere on the grounds of Coachella on Thursday, and the Childish Gambino show on Friday night, “Guava Island” was made available for anyone to watch on Amazon for 18 hours starting Saturday at 12:01 a.m. Pacific Daylight Time; it will then be available exclusively to Amazon Prime subscribers.

Shot in Cuba and inspired by the Brazilian crime epic “City of God” and Prince’s “Purple Rain,” “Guava Island” does not ultimately feature much new music from Childish Gambino — or any singing from Rihanna. The movie opens with a breezy unreleased number from Glover (“If the world ends/I think I wanna die with you”) and has elements of another song with the lyrics, “Maybe the sky will fall down on tomorrow/but one thing’s for certain baby/we’re running out of time.”

It also incorporates alternate versions of recent Childish Gambino singles like “Summertime Magic” and “Feels Like Summer,” along with “Saturday,” which Glover debuted on “Saturday Night Live” last year (“God, this 9 to 5 just keep on killing me,” he sings). In one scene set in a factory, another character tells Deni that he hopes to save enough money to make it to America. “It’s different there,” the man says. “I heard people are their own bosses.”

Deni responds: “This is America. Guava’s no different than any other country,” adding, “America is a concept. Anywhere where in order to make yourself rich, you have to make someone else richer is America.” He then leads a choreographed dance to the song that mirrors some of the music video.

At Coachella on Friday night, Glover — who has thrown his own festival, Pharos — did not make a show of plugging “Guava Island,” though he did incorporate tropical imagery and sounds into his set. For one unreleased song, he cleared a section in the crowd to scream over a cacophonous burst of complex drum rhythms, bathed in almost-apocalyptic red lights. He also performed the still-unreleased track “Human Sacrifice,” which debuted in a Google ad during the Grammy Awards in February.

Glover was overcome by emotion onstage while discussing the deaths of his father and the rappers Mac Miller and Nipsey Hussle. “What I’m starting to realize is all we really have is memories at the end of the day,” he told the crowd. “All we are really is like, data — you pass it on to your kids, you pass it on to your friends, your family.”

“While we’re here,” Glover added, “feel something and pass it on.”

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https://www.nytimes.com/2019/04/13/arts/music/coachella-guava-island-donald-glover.html

2019-04-13 13:21:37Z
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Watch Childish Gambino Headline Coachella 2019 - Pitchfork

Childish Gambino headlined the opening night of the Coachella Valley Music and Arts Festival yesterday. Donald’s full set live streamed via Coachella’s YouTube live stream; now that it’s over, you can watch clips below. His movie Guava Island is out now.

During the set, Glover paid tribute to Mac Miller and Nipsey Hussle. Guava Island, directed by Hiro Murai and starring Glover, Rihanna, and others, will air this evening on YouTube as part of the Coachella live stream. Find the complete line up for Coachella here, as well as today’s live stream schedule. Follow along with our full coverage of Coachella 2019.

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https://pitchfork.com/news/watch-childish-gambinos-coachella-2019-weekend-1-set/

2019-04-13 10:59:01Z
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Childish Gambino's Coachella 2019 performance finds a master at the peak of his powers - NME.com

The Big Read – Black Honey: "Ladylike can go fuck itself"

Taylor Swift launches countdown clock - could new music be on its way?

"We want the movies to reflect our audience" - Marvel Studios boss discusses their plans for LGBTQ superheroes

Ariana Grande sparks rumours of NSYNC collaboration at Coachella

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https://www.nme.com/reviews/live/childish-gambino-coachella-2019-master-peak-powers

2019-04-13 09:08:00Z
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Guava Island: Donald Glover and Rihanna’s new film now available on Amazon Prime - The Independent

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  1. Guava Island: Donald Glover and Rihanna’s new film now available on Amazon Prime  The Independent
  2. ‘Guava Island’ First Look: Childish Gambino’s Mystery Project With Rihanna Is Unveiled  The New York Times
  3. Donald Glover’s Guava Island: How and when to watch it for free  Vox.com
  4. Childish Gambino and Rihanna's Film Will Premiere on YouTube's Coachella Livestream  Mashable
  5. View full coverage on Google News

https://www.independent.co.uk/arts-entertainment/films/news/guava-island-donald-glover-rihanna-amazon-prime-coachella-2019-a8868151.html

2019-04-13 07:59:36Z
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Inside the Final WGA-ATA Meeting Before Breakdown As Balance Of Power Shifts To Rank-And-File Writers - Deadline

For those who were hoping for a miracle bargaining session between the WGA and ATA this afternoon that would break the stalemate between the two sides over the new Agency Code of Conduct before the midnight deadline, there was no miracle, and there was mot much of a bargaining session either.

I hear that, right off the bat, the leaders of the WGA negotiating committee told the agency representatives that they were rejecting ATA’s latest proposal, introduced yesterday, which included the agencies sharing a percentage of their packaging fees with the writers. (In the WGA’s lengthy statement after negotiations broke down today, the guild said that the proposal  was for just .8% of agencies’ backend”.) The WGA did not offer a counter proposal.

The sit-down was well attended on both sides by the top negotiators as well WGA and ATA’s legal teams. I hear that included WGA West President David A. Goodman, Executive Director David Young, David Shore, Michelle Mulroney, Mike Schur, Travon Free, Marjorie David and Deric A. Hughes on the guild side, and ATA executive director Karen Stuart, WME’s Rick Rosen and Ari Greenberg, CAA’s Bryan Lourd, UTA’s Jay Sures, ICM Partners’ Chris Silbermann, Kaplan-Stahler’s Elliot Stahler and APA’s Jim Gosnell, who serves as ATA President, on the agencies’ side.

The agents reportedly suggested staying in the room to try and negotiate a compromise until the clock ran out but the writers responded that the two sides were so far apart, bridging the gap in a few hours after little progress over the past few months was not feasible. In Young’s statement after the end of the meeting, he detailed where both sides are currently on all main issues, noting that indie features was the only area where they made progress in their talks.

Said Stuart in ATA’s statement after the meeting, “the WGA leadership today declared a pathway for compromise doesn’t exist.”

I hear only five people spoke at the meeting, three on the ATA side and two on the WGA one. There were contentious exchanges triggered by some rhetoric on the part of the guild, mostly Young, who repeated some accusations of agency collusion from guild statements made earlier in the negotiations, along with evoking again the RICO Act and referring to agencies as “the Mafia”.

Immediately after the brief meeting was adjourned, the WGA informed its members that there had been no settlement and, since the membership had approved a new Agency Code of Conduct banning agency packaging and involvement in producing, the guild called upon its members to fire agencies that would not sign it. That is the vast majority of Hollywood talent agencies, including all of the major ones.

Thus the tug of war between the WGA and ATA once again shifts to WGA members after their overwhelming vote for the new Code of Conduct gave the guild leverage in the negotiations last month. This time, the number of WGA’s 13,000 members who dismiss their agent would determine who has the upper hand. The WGA need the majority of its troops to sever ties with their agents to be able to continue its campaign against the agencies on packaging and producing from a position of strength.

If a significant number of writers do not follow through and stay with their agents, that would shift the balance of power to the agencies.

Privately, many writers have said that they would support they guild and would fire their agents even if they like them, though some had indicated they may not proceed with that.

The talks between WGA and ATA broke off in late afternoon when WGA members received the order to server ties with their agency if it had not signed the new Code of Conduct. By end of work day Friday, I hear there were a small number of terminations, about a couple of dozen or so, at each of the major agencies. That number if expected to grow significantly; the question is how much.

In a expression of solidarity, writers have been tweeting all evening their signed form letters, provided by the WGA, with which they let go of their agents. (The guild said today that it would forward the emails en masse to the appropriate agencies “in a few days”.) There have been some well known names among then, including top showrunners Steven DeKnight, Tim Doyle, Alexi Hawley, Danny Zucker and Chrissy Pietrosh as well as actor/writers Patton Oswalt and Jon Cryer.

By 11 PM PT, #IStandWithTheWGA was a Top 10 trending toping worldwide on Twitter.

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https://deadline.com/2019/04/inside-final-wga-ata-meeting-breakdown-balance-of-power-shifts-writers-1202595300/

2019-04-13 05:38:00Z
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Jumat, 12 April 2019

Emergency Podcast: 'Star Wars: The Rise of Skywalker' Trailer Reaction and Discussion - /FILM

Star Wars: The Rise of Skywalker

This is /Film editor in chief Peter Sciretta and joining me are managing editor Jacob Hall, and writers Hoai-Tran Bui and Chris Evangelista to talk about Star Wars: The Rise of Skywalker. We talk about the newly announced title for Star Wars Episode 9, the revelations from the presentation at Star Wars Celebration, our reaction and breakdown of the trailer, our concerns on the teased Palpatine reveal and speculation on the title and much more. Join us and geek out about Star Wars!

You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it).

Opening Banter: It’s day one of Star Wars Celebration, guys!

In The News:

Other Articles Mentioned:

All the other stuff you need to know:

  • You can find more about all the stories we mentioned on today’s show at slashfilm.com, and linked inside the show notes.
  • /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.
  • You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).
  • Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air.
  • Please rate and review the podcast on iTunes, tell your friends and spread the word!
  • Thanks to Sam Hume for our logo.

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https://www.slashfilm.com/emergency-podcast-star-wars-the-rise-of-skywalker-trailer-reaction-and-discussion/

2019-04-12 21:10:01Z
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“HOME” by BTS Review - Pitchfork

BTS’ new album, MAP OF THE SOUL : PERSONA, nabbed over 3 million pre-orders, and the music video for lead single “Boy With Luv” is on track to set world records for its already-impressive view count. Given all this success, one might assume that the group’s seven members are strangers to sadness. The album’s standout track, “HOME,” projects an image of carefree luxury. If you were to latch onto the song’s English lyrics, you’d be forgiven for thinking this is a track about flaunting wealth and reveling in one’s come-up. But despite this talk of “big cars” and “shin[ing] with flashin’ lights,” BTS find themselves unsatisfied. “The more I fill up the emptier I get/The more I’m with people the more I feel alone,” sings Jimin in the pre-chorus. Suddenly, the song’s glossy sheen feels like a facade.

As spokespersons for South Korea at large, BTS are undoubtedly faced with an insurmountable amount of pressure to represent their country with grace. Last year, BTS leader RM released a solo single that hinted at his conflicted feelings about such a position. That song, however, was outwardly melancholic—a huge contrast to the glimmering confidence that “HOME” seems to exude.

In a sense, “HOME” represents their current situation; while the majority of the world will find this to be a cozy R&B song, BTS harbor an unseen pain. They talk about wanting to spend time with a lover and how this person makes them feel rich—at home. By the end of the song, they’re in this lover’s presence, finding comfort at last. While BTS fans have looked to their socially conscious messages for hope and inspiration, the chart-topping K-pop group make clear that they need consolation from others too, that even though they are literally the biggest band in the world right now, they’re still human.

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https://pitchfork.com/reviews/tracks/bts-home/

2019-04-12 18:53:00Z
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